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For more than 250 years, biblical Hebrew poetry scholarship has been dominated by metrical assumptions and the idea of parallelism. While a consensus is emerging that biblical poetry is not metrical, no consensus has arisen regarding what parallelism is, or what makes biblical poetry "verse" or "poetry" in the absence of meter, graphical lineation, and end-marking of lines. Unparalleled Poetry claims that a new paradigm for biblical poetry is needed, a paradigm that is disentangled from parallelism as well as meter. Drawing from the Cognitive Poetics work of Reuven Tsur, Emmylou Grosser reorients the discussion of biblical poetic structure to how poetic structure can be heard and perceived. ...
This is the first major study of the Biblical Hebrew verbal system of a prophetic book. It is also the first book-length study in over 60 years to focus on how genre affects the Hebrew verbal system. It advances a data-driven argument that Biblical Hebrew verb forms do not function one way in prose and another way in poetry. Lastly, the author addresses the diachronic development of Hebrew between the destruction of the First Temple and the writing of the Dead Sea Scrolls.
This volume presents the main lectures of the 23rd Congress of the International Organization for the Study of the Old Testament (IOSOT) held in Aberdeen, United Kingdom, in August 2019.
Building on previous holistic readings of the Book of Isaiah, this collection approaches Isaiah through the concept of unity. Contributors outline research that point to new directions in the unity movement and, in the process, bring it under a critical gaze, considering the perennial challenges to unity reading and thus problematizing the very concept of unity. Divided into four parts, the book provides methodological reflections on reading Isaiah as a unity, and examines historical and redactional readings, literary readings and contextual or reader-orientated readings. Topics include how the figure of Jacob functions as a unifying motif in the final form of the book, Isaiah 1 as an example of the relevance of local structure for global coherence and how woman as a root metaphor of Zion not only bears revelatory significance but also serves as a theological linchpin for a more holistic reading of the book. Overall, the book highlights the continued promise of holistic readings for diverse methods and varied approaches to the Book of Isaiah.
On Biblical Poetry considers the characteristics of biblical Hebrew Poetry beyond its currently best-known feature, parallelism. F.W. Dobbs-Allsopp demonstrates the many interesting and valuable interpretations that yield from a series of programmatic essays on major facets of biblical verse, careful attention to prosody, and close reading.
Designed primarily for first-year students, this anthology contains a wide chronological selection of poetry from medieval verse to modern South African work.
The Poem as Icon resolves long-standing questions of poetic function from a cognitive perspective. Margaret Freeman shows how poetry, as one expression of the aesthetic faculty, enables us to iconically access and experience the "being" of reality.
In Probability Designs, Karin Kukkonen presents the predictive processing model of cognition as a means of exploring narrative structure and reader experience. Utilizing the literary canon of various cultures, Kukkonen combines theory and cognitive science to analyze how reader expectation and prediction shape literature, and how literature accomplishes cognitive feats that determine the human capacity for free, exploratory thought.
A new, illustrated study of the Iliac tablets, a group of objects inscribed in miniature with epic episodes. Like the tablets themselves, Michael Squire tackles major themes through small ones, by relating their production to macroscopic problems of signification in Graeco-Roman antiquity.
In this extensive and eclectic reconsideration of classical Hebrew poetics, O'Connor evaluates the assumptions that have guided scholars for more than two hundred years. The result is "a great leap forward in the analysis and interpretation of early Hebrew poetry." (David Noel Freedman)