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Fauna, flora, relevo e belezas naturais dos 36 parques nacionais do brasil.
People from outside of Brasília often dismiss Brazil’s capital as socially divided, boring, corrupt, and emotionally cold. Apparently its founders created not a vibrant capital, but a cultural wasteland. However, as Sophia Beal argues, Brasília’s contemporary artists are out to prove the skeptics wrong. These twenty-first-century artists are changing how people think about the city and animating its public spaces. They are recasting Brasília as a vibrant city of the arts in which cultural production affirms a creative right to the city. Various genres—prose, poetry, film, cultural journalism, music, photography, graffiti, street theater, and street dance—play a part. Brasília’s initial 1960s art was state-sanctioned, carried out mainly by privileged, white men. In contrast, the capital’s contemporary art is marked by its diversity, challenging norms about who has a voice within the Brasília art scene. This art demystifies the capital’s inequities and imagines alternative ways of inhabiting the city.
This work examines the Portuguese and crioulo literatures of the five African Portuguese-speaking countries: Angola; Cape Verde; Guinea Bissau; Mozambique; and Sao Tome and Principe. It offers an introduction to the cultural and historical context within which literature developed in Lusophone Africa, as well as a discussion of the prose and poetry published by the writers from these five countries since independence. As such, the volume is intended not only as a textbook for the student of the literatures of the five Lusophone countries, but also as a cultural and intellectual foundation for the specialist reader with an interest in the former Portuguese colonial empire.
This guide to modern Brazilian architecture takes us on a tour of over 125 projects designed between 1928-1960. There are works by 33 architects, and each entry gives a brief description, photographs, drawings, and information on visitor access.