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Divided into three sections, Linda Phyllis Austern collects eighteen, cross-disciplinary essays written by some of the most important names in the field to look at this stimulating topic. The first section focuses on the cultural and scientific ways in which music and the sense of hearing work directly on the mind and body. Part Two investigates how music works on the socially constructed, representational or sexualized body as a means of healing, beautifying and maintaining a balance between the mental and physical. Finally, the book explores the action of music as it is heard and sensed by wider social units, such as the body politic, mass communication, from print to sound recording, and broadcast technologies.
In his innovative ethnographic history of the southwestern Spanish town of Aracena, Richard Maddox explores how tradition has been authored, what it has authorized, and to what extent it has been authoritative. His investigation of the cultural, political, and religious discourses and practices of various socioeconomic groups in Aracena offers a richly detailed view of how both leading citizens and ordinary townspeople have interpreted, used, and contested traditions over the last three centuries. Maddox argues that we can best understand culture in complex societies by taking into account the ways in which institutionally generated discourses and practices articulate with the informal, impr...
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In diesem Band werden mehr als 3000 Metallgegenstande aus Moldavien vorgelegt, die vom Neolithikum bis zur Spatbronzezeit datieren. Bei der Auswertung wird besonderes Gewicht auf die Verbindungen nach dem ostlichen Mitteleuropa und Sudosteuropa bzw. nach Osteuropa gelegt, was anhand der zahlreichen, weitraumig konzipierten Verbreitungskarten verdeutlicht wird.
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
La autora desvela la figura de José Ponce Bernal (Huelva 1898-Madrid 1940), un ejemplo de esa generación de hombres y mujeres de principios del siglo XX, llena de esperanzas y de compromiso, cuyos sueños fueron truncados por el desenlace de la Guerra Civil. Su recuerdo fue sepultado por el miedo. Como si de un puzle vital se tratase, reconstruye su historia a partir de fotografías, cartas, documentos, la memoria de sus coetáneos y recortes de prensa. Obtiene así su trayectoria social y política, así como su obra periodística, que proporciona las claves de su pensamiento; y descubre que junto al periodista y político hay un intelectual con nombre propio. Ponce se convierte en testig...
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