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The Last Englishmen
Winner of the Kekoo Naoroji Award for Mountain Literature 2019 An engrossing story of passion and exploration that traces the end of empire and the stirring of a new world order. John Auden was a pioneering geologist of the Himalayas. Michael Spender was the first to draw a detailed map of the North Face of Mount Everest. While their younger brothers – W. H. Auden and Stephen Spender – achieved literary fame, they vied for a place on an expedition that would finally conquer Everest. To this rivalry was added another: their shared love for a painter named Nancy Sharp. Her choice would determine each man’s wartime loyalties. From Calcutta to pre-war London to Everest itself, The Last Englishmen tracks a generation obsessed with a romantic ideal. With a cast including writers, artists, political rogues and spies, this is narrative history at its most engaging and illuminating. 'Wholly original... It wouldn’t be an exaggeration to say that there is something Tolstoyan to Baker's vast project... Remarkable' Neel Mukherjee ‘An exuberant, scene-changing, shapeshifting group biography’ Spectator
Mad Dogs and Englishmen
At its peak the British Empire covered approximately one quarter of the Earth's total land area and ruled over the same proportion of the world's population: its boundaries stretched from Birmingham to Bombay, from Cairo to Cape Town, and from Winnipeg to Wagga-Wagga. In this unique book, Ashley Jackson takes the reader on a richly informative tour of the empire 'on which the sun never set', examining the representations of empire that informed the world view of hundreds of millions of people. In a sequence of elegantly written chapters Mad Dogs and Englishmen examines every aspect of the largest imperium the world has seen, from its district commissioners to dependent territories, from its ...
The Englishman
'The pulse-pounding pace just never lets up' PETER MAY, bestsellling author of LOCKDOWN. Penal Colony No. 74, AKA White Eagle, lies some 600 kilometres north of Yekaterinburg in Russia's Sverdlovskaya Oblast. Imprisoning the country's most brutal criminals, it is a winter-ravaged hellholeof deathand retribution. And that's exactly why the Englishmanis there. Six years ago, Raglan was a soldier in the French Foreign Legionengaged in a hard-fought war on the desert border of Mali and Algeria. Amid black ops teams and competing intelligence agencies, his strike squad was compromised and Raglan himself severely injured. His war was over, but the deadly aftermathof that day has echoed around the world ever since: the assassinationof four Moscow CID officers; kidnap and murderon the suburban streets of West London; the fatalcompromise of a long-running MI6 operation. Raglan can't avoid the shockwaves. This is personal. It is up to him to finish it - and it ends in Russia's most notorious penal colony. But how do you break into a high security prison in the middle of nowhere? More importantly, how do you get out?
The Fatal Englishman
THE SUNDAY TIMES BESTSELLER 'Compelling and stunningly written' THE TIMES 'Wildly exciting . . . a classic' SPECTATOR 'Flawless . . . poetic . . . superbly portrayed' DAILY TELEGRAPH Three men. Three short, glittering lives. Young English painter Christopher Wood arrives in Paris in 1921 set on becoming the next great master. By day he studies; by night he attends parties with Picasso and Cocteau before paying too high a price for success. Richard Hilary, a confident if unprincipled Spitfire pilot, is suffering from terrible burns after being shot down. But the operations to restore him haven't deterred him from returning to action. And Jeremy Wolfenden, the cleverest of his set at All Souls College, leaves it all behind to report on the Cold War. But his louche private life makes him a plaything for the intelligent services, taking him on a fateful journey between East and West. The Fatal Englishman is a stunning tale of three short lives that burned brightly from a master storyteller.
The Making of Englishmen
Making the Englishmen offers an account of how national identities were construed and contested in the post-Reformation public sphere 1550-1650.
