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The author has collected the most amazing stories of people who secretly saved Jewish lives from 1933 to 1945 and arranged them chronologically and geographically to show us that there will always be a few righteous souls who have made a greater difference in favour of human goodness.
This book is about literary representations of the both left- and right-wing Italian terrorism of the 1970s by contemporary Italian authors. In offering detailed analyses of the many contemporary novels that have terrorism in either their foreground or background, it offers a “take” on postmodern narrative practices that is alternative to and more positive than the highly critical assessment of Italian postmodernism that has characterized some sectors of current Italian literary criticism. It explores how contemporary Italian writers have developed narrative strategies that enable them to represent the fraught experience of Italian terrorism in the 1970s. In its conclusions, the book suggests that to meet the challenge of representation posed by terrorism fiction rather than fact is the writer’s best friend and most effective tool.
Throughout the book, Marcus brings a variety of perspectives to bear on the question of how Italian filmmakers are confronting the Holocaust, and why now given the sparse output of Holocaust films produced in Italy from 1945 to the early 1990s.
Today, mafias operate across the globe, with hundreds of thousands of members and billions of dollars in revenue. From Hong Kong to New York, these vast organizations spread their tentacles into politics, finance and everyday life. Criminologist Federico Varese draws on a lifetime's research to give us access to some of the world's most secretive societies. Mixing reportage with case studies and historical insights, this is the story of mafia as it really is: filled with boredom and drama, death and disaster, ambition and betrayal.
'Nobody knows how much I owe that man', Primo Levi said of his Italian compatriot Lorenzo Perrone, who saved his life at Auschwitz. 'I could never repay him'. Each day for a period of six months, Perrone, who worked beside Auschwitz in desperate conditions, risked his own life to smuggle part of his own soup ration to Levi, quietly leaving the mess tin by a half-constructed brick wall. Without those extra five hundred calories, Levi could not have survived, and would probably not have written If This Is a Man, the first published account by a Holocaust survivor. In A Man of Few Words, Carlo Greppi pieces together the life of Lorenzo Perrone, a bricklayer from the Piedmontese town of Fossano,...
This volume focuses on women whose lives are entangled in the workings of the Mafia, drawing on courtroom testimonies, interviews, contemporary journalism and recent research. Individual narratives illuminate women's experiences, both as victims or active opponents.
The first thorough study of the Italian filmmaker, Luchino Visconti.
No other European country experienced the disruption of political and everyday life suffered by Italy in the so-called 'years of lead' (1969-c.1983), when there were more than 12,000 incidents of terrorist violence. This experience affected all aspects of Italian cultural life, shaping political, judicial and everyday language as well as artistic representation of every kind. In this innovative and broad-ranging study, experts from the fields of philosophy, history, media, law, cinema, theatre and literary studies trace how the experience and legacies of terrorism have determined the form and content of Italian cultural production and shaped the country's way of thinking about such events?
The author demonstrates that the Italian Army deserves attention for its often humanitarian treatment of Italian Jews and other Jews. He also analyzes revisionist histories of Pope Pius XII and his alleged "silence," arguing that revisionists were writing for a popular audience interested in sensation and scandal, and that this profitable trail attracted journalists and historians alike. Focusing primarily on the roles played by the Vatican and the Royal Italian Army, this book also provides an overview of the travail of Italy's Jewish community from the beginning of Mussolini's anti-Semitic policies in the late 1930s, through the end of the German occupation in May 1945.
In these pages, Andrea Riccardi reflects on the need to create a culture of peace, a spiritual and social movement that puts peace at the center of public concerns and politics. It is up to each of us to become an artisan of peace: our choice lies at the beginning of peace building. Not turning away means knowing, becoming informed, following events, standing in solidarity with those suffering from war, remembering them in prayer. A living public opinion can influence and change national events and international policies. It can hold back or prevent war, and open avenues for peace.