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The Autumn of Italian Opera
The first full-length study of the last great era of Italian opera
Masculinity and Western Musical Practice
How have men used art music? How have they listened to and brandished the musical forms of the Western classical tradition and how has music intervened in their identity formations? This collection of essays addresses these questions by examining some of the ways in which men, music and masculinity have been implicated with each other since the Middle Ages. Feminist musicologies have already dealt extensively with music and gender, from the 'phallocentric' tendencies of the Western tradition, to the explicit marginalization of women from that tradition. This book builds on that work by turning feminist critical approaches towards the production, rhetorical engagement and subversion of mascul...
The Complete Opera Book
Gustav Kobbé's magnum opus, 'The Complete Opera Book', stands as a towering achievement in the realm of classical music literature, offering an encyclopedic look at the world of opera. With a narrative that weaves the tales of numerous operas together with the actual music excerpts from some of the most renowned arias, Kobbé's work is both a scholarly resource and a delight for aficionados. The literary style marries accessibility with depth, making it a staple reference that has been relevant to the operatic community since its initial appearance. Though Kobbé met with a tragic accident before finalizing the tome, it was posthumously completed, reflecting his unmatched dedication to the ...
Memory, Mobility, and Material Culture
With a focus on the object and where it is situated, in time (memory) and space (mobility), Memory, Mobility, and Material Culture embodies a multidisciplinary and cross-disciplinary approach. The chapters track the movement of the objects and their owner(s), within and between continents, countries, cities, and families. Objects have always been considered with an eye to their worth – economic, aesthetic, and/or functional. If that worth is diminished, their meaning and value disappear, they are just things. Yet things can still fulfil functions in our daily lives; they hold symbolic potential, from personal memory triggers, to focal points of public ritual and religion; from collectorsâ€...
Opera on Stage
The History of Italian Opera marks the first time a team of expert scholars has worked together to investigate the Italian operatic tradition in its entirety, rather than limiting its focus to individual eras or major composers and their masterworks. Including both musicologists and historians of other arts, the contributors approach opera not only as a distinctive musical genre but also as a form of extravagant theater and a complex social phenomenon-resulting in the sort of panoramic view critical to a deep and fruitful understanding of the art. Opera on Stage, the second book of this multi-volume work to be published in English-in an expanded and updated version-focuses on staging and vie...
Opera
An interdisciplinary study of the interconnected subtexts of erotic attraction, illness, and death in several 19th- and 20th-century operatic texts. This is an examination of how opera uses the singing body to give voice to the suffering person. It presents medical and literary sources to make sense of the changing depiction of disease in opera.
The Musician and the Senator
This book was conceived as a laboratory on microhistory, an attempt to illustrate its main processes and advantages. Through the microhistorical approach the reader is off on an adventurous journey to discover an individual’s perspective, that of maestro Luigi Prisco who emigrated to the USA from the south of Italy. Luigi Prisco was a provincial musician and composer, born in 1857, who lived in Avellino, in Campania. In May 1902 Prisco joined millions of people in emigrating from southern Italy and the rest of the country to the United States, one more droplet in the immense river of Italian migration. Luigi Prisco’s personal correspondence with his mentor and friend Senator Donato Di Ma...
Opera Production
Opera Production was first published in 1961. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. Designed particularly as a reference work for opera producers, students, performers, and writers, this book provides basic production information about more than 500 operas. Anyone planning to produce an opera will find here the essential information he needs in order to judge whether a given opera is appropriate to his resources for production. Information for individual operas is given concerning the number and importance of settings; size of orchestra, cho...
