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In the first systematic account of aesthetics in relation to the natural environment, Emily Brady provides critical understanding of what aesthetic appreciation of nature involves and develops her own distinctive aesthetic theory. In particular, she develops a theory of aesthetic appreciation which integrates subjective and objective approaches. Among the topics discussed which bring together philosophical aesthetics and environmental philosophy are: *The nature of aesthetic experience*Aesthetic value*Theories of aesthetic appreciation of nature*Art and environment*Imagination, emotion and meaning in aesthetic appreciation of nature*The justification of aesthetic judgements of nature*The int...
The Aesthetics of Human Environments is a companion volume to Carlson’s and Berleant’s The Aesthetics of Natural Environments. Whereas the earlier collection focused on the aesthetic appreciation of nature, The Aesthetics of Human Environments investigates philosophical and aesthetics issues that arise from our engagement with human environments ranging from rural landscapes to urban cityscapes. Our experience of public spaces such as shopping centers, theme parks, and gardens as well as the impact of our personal living spaces on the routine activities of our everyday life are discussed in terms of their aesthetic value and the nature of our aesthetic appreciation. This volume will appeal to any reader concerned about the aesthetic quality of the world in which we live.
How do people react to the visual character of their surroundings? What can planners do to improve the aesthetic quality of these surroundings? Too often in environmental design, visual quality--aesthetics--is misunderstood as only a minor concern, dependent on volatile taste and thus undefinable. Yet a substantial body of research indicates the importance of visual quality in the environment to the public and has uncovered systematic patterns of human response to visual attributes of the built environment. Efforts to understand environmental aesthetics have been undertaken by investigators from such diverse fields as landscape architecture, environmental psychology, geography, philosophy, architecture, and city planning. As a result the relevant information is scattered and not readily available to professionals and policy makers. The book brings together classic and new contributions by distinguished workers in different disciplines. It explores theory and data on preferences in the visual environment, and also addresses the practical application of aesthetic criteria in design, planning and public policy. Promising directions for future research are identified.
The roots of environmental aesthetics reach back to the ideas of eighteenth-century thinkers who found nature an ideal source of aesthetic experience. Today, having blossomed into a significant subfield of aesthetics, environmental aesthetics studies and encourages the appreciation of not just natural environments but also human-made and human-modified landscapes. Nature and Landscape is an important introduction to this rapidly growing area of aesthetic understanding and appreciation. Allen Carlson begins by tracing the development of the field's historical background, and then surveys contemporary positions on the aesthetics of nature, such as scientific cognitivism, which holds that certain kinds of scientific knowledge are necessary for a full appreciation of natural environments. Carlson next turns to environments that have been created or changed by humans and the dilemmas that are posed by the appreciation of such landscapes. He examines how to aesthetically appreciate a variety of urban and rural landscapes and concludes with a discussion of whether there is, in general, a correct way to aesthetically experience the environment.
"Many more of our decisions to conserve nature have been motivated by environmental aesthetics than by environmental ethics, more by beauty than by duty. This book by Arnold Berleant is therefore especially welcome and important. It will help to advance an inquiry that has been badly neglected but is sorely needed". -- J. Baird Callicott, author of Earth's Insights. "In the past thirty years, Arnold Berleant has been calling attention to the ethics and aesthetics of the environment. He is indeed America's latter-day Henry David Thoreau". -- E. F. Kaelin, author of An Aesthetics for Art Educators.
First published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
Nature, Aesthetics, and Environmentalism: From Beauty to Duty addresses the complex relationships between aesthetic appreciation and environmental issues and emphasizes the valuable contribution that environmental aesthetics can make to environmentalism. Allen Carlson, a pioneer in environmental aesthetics, and Sheila Lintott, who has published widely in aesthetics, combine important historical essays on the appreciation of nature with the best contemporary research in the field. They begin with the scientific, artistic, and aesthetic foundations of current environmental beliefs and attitudes. Then they offer views on the conceptualization of nature and the various debates on how to properly and respectfully appreciate nature. The book introduces positive aesthetics, the belief that everything in nature is essentially beautiful, even the devastation caused by earthquakes or floods, and the essays in the final section explicitly bring together aesthetics, ethics, and environmentalism to explore the ways in which each might affect the others. Book jacket.
This books presents fresh and fascinating insights into our interpretation of the environment and shows how our aesthetic experience encompasses nature rather than art.
The essays collected in Aesthetics and Environment comprise a set of variations on art and culture guided by the theme of environment. The essays deal with the physical reality of environment such as the city, the shore, the water and the garden, but also with the virtual environment and the social one. Environmental aesthetics is a theme whose variations are as endless as the possibilities of the human performers and conditions from which it is fashioned. This enticing set of essays testifies to Berleant's special talent in moving easily between both natural and human environments and opens out the contemporary discussion beyond that of the wilderness to the cultural and social environment....