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Mah bh rata (including Harivam a) and R m yan a, the two great Sanskrit Epics central to the whole of Indian Culture, form the subject of this new work.The book begins by examining the relationship of the epics to the Vedas and the role of the bards who produced them. The core of the work, a study of the linguistic and stylistic features of the epics, precedes the examination of the material culture, the social, economic and political aspects, and the religious aspects. The final chapter presents the wider picture and in conclusion even looks into the future of epic studies.In this long overdue survey work the author synthesizes the results of previous scholarship in the field. Herewith a coherent view is built up of the nature and the significance of these two central epics, both in themselves, and in relation to Indian culture as a whole.
The two great epics of (old) India, the Mahabharata and the Ramayana, are written in a language, which differs from so-called classical Sanskrit in many details. Both texts still are of an enormous importance in India and other countries. Because of this, a grammar describing all the different characteristics of epic Sanskrit has been missed until now. The Grammar of Epic Sanskrit will now close this gap.
At the hand of the hero Karna this book offers a model for 'heroic religion', having to a large extent shaped not only the Indic epics, but also cognate Indo-European epics, such as Homer's Iliad.
Explore Sanskrit literature, the classical language of India, representing a rich cultural tradition from the time of the Vedas in the second millennium BC until Late Antiquity. The leading works of Indian epic poetry are the ‘Ramayana’ and the ‘Mahabharata’, as well as The Five Great Epics of Tamil Literature and Sangam literature. These texts are among some of the oldest surviving epic poems ever written. The Delphi Poets Series offers readers the works of literature's finest poets, with superior formatting. This volume presents a comprehensive range of Sanskrit epics, including the complete ‘Ramayana’ and ‘Mahabharata’, with illustrations and the usual Delphi bonus materia...
Epic and Argument in Sanskrit Literary History celebrates the distinguished career of the American Indologist Robert P. Goldman. The essays on Sanskrit literary history, which range from the danastuti in the Rgveda (Romila Thapar) to the transformation of literary theory in ninth century Kashmir (Sheldon Pollock) to the practice of philology in seventeenth-century Varanasi (Christopher Minkowski), reflect the wide range of interests of Professor Goldman himself, and the wide influence he has exerted on the field. Eight of the essays (by such leading scholars as Greg Bailey, John Brokington, James Fitzgerald, luis Gonzalez-Reimann, Phyllis Granoff, Alf Hiltebeitel, Adheesh Sathaye, and Sally Sutherland Goldman), concentrate on the epics and Puranas, and as an ensemble make for essential reading on the genre of Sanskrit literature to which Goldman, as editor-in-chief of the Ramayana Translation Project, has devoted the greater part of his career. The scholarly essays are bookended by the survey of Professor Goldmans scholarly contributions (Deven Patel) and a lively personal reminiscence (Jeffrey Moussaieff Mason).
Indira Viswanathan Peterson provides an introduction to the Sanskrit court epic (mahākāvya), an important genre in classical Indian poetry, and the first study of a celebrated sixth-century poem, the Kirātārjunīya (Arjuna and the Hunter) of Bhāravi. Sanskrit court epics are shown to be characterized both by formalism and a deep engagement with enduring Indian values. The Kirātārjunīya is the earliest literary treatment of the narrative of the Pandava hero Arjuna's combat with the great god Śiva, a seminal episode in the war epic Mahābhārata. Through a close analysis of the structural strategies of Bhāravi's poem, the author illuminates the aesthetic of the mahākāvya genre. Pet...
Among all the ancient literatures, that of India is... undoubtedly in intrinsic value and aesthetic merit second only to that of Greece.-from the IntroductionIt is the oldest recognized language on the planet-indeed, Sanskrit was considered the language of the gods by ancient Indians. This is perhaps the first truly accessible volume ever published on the literature of the grand philosophers and poets of ancient India, and its power and importance has not diminished since it first appeared in 1900.This compact yet comprehensive overview of Sanskrit works covers the Rigveda, the Sutras, the epics, lyric poetry, drama, fairy tales & fables, and more.With profound insights into the mindsets of ancient and medieval India, this important volume will please students of history, world literature, and comparative linguistics.British scholar ARTHUR A. MACDONELL (1854-1930) was Boden Professor of Sanskrit at Oxford University. He is also the author of A Vedic Reader for Students, Sanskrit Grammar for Students, and India's Past: A Survey of Her Literatures, Religions, Languages and Antiquities.
This is an introduction to philosophy but with a difference. Through out the book metaphysical issues are shown to be rooted in the history of philosophy. At the same time the author`s tratment of each issues leads right into the contemporary situation. Philosophy can scarcely be defined,the author says, but philosophizing can be `shown`. The various section of the book show in a fresh way what such philosophizing can be like.