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Rinaldo
"A dual language, facing-page, English-Italian edition of Torquato Tasso's early epic romance from the Italian Renaissance, with preface, introduction, plot summary, chronology of Tasso's life, glossary, bibliography, index and notes"--
The Cambridge Companion to the Epic
Every great civilisation from the Bronze Age to the present day has produced epic poems. Epic poetry has always had a profound influence on other literary genres, including its own parody in the form of mock-epic. This Companion surveys over four thousand years of epic poetry from the Babylonian Epic of Gilgamesh to Derek Walcott's postcolonial Omeros. The list of epic poets analysed here includes some of the greatest writers in literary history in Europe and beyond: Homer, Virgil, Dante, Camões, Spenser, Milton, Wordsworth, Keats and Pound, among others. Each essay, by an expert in the field, pays close attention to the way these writers have intimately influenced one another to form a distinctive and cross-cultural literary tradition. Unique in its coverage of the vast scope of that tradition, this book is an essential companion for students of literature of all kinds and in all ages.
The Divine Comedy (Annotated Edition)
Dante Alighieri's 'The Divine Comedy' is a seminal work of Italian literature and a cornerstone of Western civilization. Written in the early 14th century, this epic poem follows the journey of the protagonist, Dante himself, through Hell, Purgatory, and Heaven. The poem is structured in three parts, each representing one of these realms, and is filled with vivid imagery, complex allegorical references, and theological symbolism. This annotated edition provides readers with a deeper understanding of the historical and cultural context in which Dante wrote, as well as explanations of the numerous references found throughout the text. The inclusion of annotations makes this edition an invaluab...
Teaching the Italian Renaissance Romance Epic
The Italian romance epic of the fifteenth and sixteenth centuries, with its multitude of characters, complex plots, and roots in medieval Carolingian epic and Arthurian chivalric romance, was a form popular with courtly and urban audiences. In the hands of writers such as Boiardo, Ariosto, and Tasso, works of remarkable sophistication that combined high seriousness and low comedy were created. Their works went on to influence Cervantes, Milton, Ronsard, Shakespeare, and Spenser. In this volume instructors will find ideas for teaching the Italian Renaissance romance epic along with its adaptations in film, theater, visual art, and music. An extensive resources section locates primary texts online and lists critical studies, anthologies, and reference works.
The Orlando Furioso
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