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Whitman & Dickinson
Whitman & Dickinson is the first collection to bring together original essays by European and North American scholars directly linking the poetry and ideas of Walt Whitman and Emily Dickinson. The essays present intersections between these great figures across several fields of study, rehearsing well-established topics from new perspectives, opening entirely new areas of investigation, and providing new information about Whitman’s and Dickinson’s lives, work, and reception. Essays included in this book cover the topics of mentoring influence on each poet, religion, the Civil War, phenomenology, the environment, humor, poetic structures of language, and Whitman’s and Dickinson’s twentieth- and twenty-first–century reception—including prolonged engagement with Adrienne Rich’s response to this “strange uncoupled couple” of poets who stand at the beginning of an American national poetic. Contributors Include: Marina Camboni Andrew Dorkin Vincent Dussol Betsy Erkkilä Ed Folsom Christine Gerhardt Jay Grossman Jennifer Leader Marianne Noble Cécile Roudeau Shira Wolosky
This is Not a Tragedy
"How much of myself is in there? It's all me. Especially in Reader's Block, all that personal stuff re: Reader and/or Protagonist, ex-wife, ex-galfriends, children, lack of money, isolation, messed-up life, and/or some items dictated by novelistic necessity---and of course there is necessary invention there also, e.g., a house at a cemetery---but even little items like a couple of yellow stones from Masada or a reproduction of Giotto's Dante---I plucked up whatever was ready at hand. Is that laziness, or is it what they speak of as using what one knows? Take your pick."---David Markson To Francoise Palleau-Papin --Book Jacket.
Leaves of Grass
Contains seventeen essays by pre-eminent scholars representing a variety of critical perspectives that focus on Walt Whitman's "Leaves of Grass". This book features contributors who treat Whitman's poetry, his biography, his politics, his reception in the United States and abroad, race and ethnic issues, and nineteenth-century America.
Walt Whitman Hom(m)age 2005/1855
John Ashbery, Stephen Rodefer, Andrew Zawacki ou encore Tom Devaney, Robert Kelly, Ron Padget, etc., rendent hommage au fondateur de la poésie américaine moderne en recomposant des textes inspirés de ses titres.
Walt Whitman
" C'est moi que je célèbre, moi que je chante " : le premier vers de Feuilles d'herbe jette crânement les fondations d'une poésie qui se veut à la fois américaine et universelle et vise à réconcilier l'homme et le monde sensible. Cette présentation de Walt Whitman, " poète-cosmos ", tente de dépasser le chromo du " bon poète chenu " surgi de nulle part en juillet 1855, et propose une analyse des stratégies esthétiques et idéologiques de l'œuvre whitmanienne. Pour en démystifier, peut-être, le triomphalisme trop ouvertement adamique et en souligner l'inépuisable singularité.
The Cambridge History of Queer American Literature
Moby-Dick's Ishmael and Queequeg share a bed, Janie in Zora Neale Hurston's Their Eyes Were Watching God imagines her tongue in another woman's mouth. And yet for too long there has not been a volume that provides an account of the breadth and depth of queer American literature. This landmark volume provides the first expansive history of this literature from its inception to the present day, offering a narrative of how American literary studies and sexuality studies became deeply entwined and what they can teach each other. It examines how American literature produces and is in turn woven out of sexualities, gender pluralities, trans-ness, erotic subjectivities, and alternative ways of inhabiting bodily morphology. In so doing, the volume aims to do nothing less than revise the ways in which we understand the whole of American literature. It will be an indispensable resource for scholars, graduate students, and undergraduates.
Langues et littératures
La plupart des textes rassemblés ici ont été rédigés pour le colloque international " Linguistique et langue anglaise " qui s'est tenu à Toulouse les 7 et 8 juillet 2000. Des linguistes, des traductologues et des stylisticiens ont mis en lumière la nécessaire homogénéité de leurs outils respectifs, lorsqu'ils sont appliqués à ce qui constitue le dénominateur commun de leurs diverses approches : la langue. En effet, on peut difficilement envisager de faire passer la spécificité d'un texte d'un encodage de départ donné à un encodage d'arrivée choisi (pour le traductologue), d'y découvrir la trace de mécanismes fondamentaux (pour le linguiste), d'en dégager des marqueurs ...
Democratic Vistas
"Written in the aftermath of the American Civil War during the ferment of national Reconstruction, Walt Whitman's Democratic Vistas remains one of the most penetrating analyses of democracy ever written. Now available for the first time in a facsimile of the original 1870-1871 edition, with an introduction and annotations by noted Whitman scholar Ed Folsom that illuminate the essay's historical and cultural contexts, this searing analysis of American culture offers readers today the opportunity to argue with Whitman over the nature of democracy and the future of the nation." --Book Jacket.
Contemporary Reconfigurations of American Literary Classics
The number and popularity of novels that have overtly reconfigured aspects of classic American texts suggests a curious trend for both readers and writers, an impulse to retell and reread books that have come to define American culture. This book argues that by revising canonical American literature, contemporary American writers are (re)writing an American myth of origins, creating one that corresponds to the contemporary writer’s understanding of self and society. Informed by cognitive psychology, evolutionary literary criticism, and poststructuralism, Entzminger reads texts by canonical authors Poe, Hawthorne, Melville, Alcott, Twain, Chopin, and Faulkner, and by the contemporary writer...
