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A father’s last confession to his son about the CIA, Watergate, and the plot to assassinate President John F. Kennedy, this is the remarkable true story of St. John Hunt and his father E. Howard Hunt, the infamous Watergate burglar and CIA spymaster. In Howard Hunt's near-death confession to his son St. John, he revealed that key figures in the CIA were responsible for the plot to assassinate JFK in Dallas, and that Hunt himself was approached by the plotters, among whom included the CIA’s David Atlee Phillips, Cord Meyer, Jr., and William Harvey, as well as future Watergate burglar Frank Sturgis. An incredible true story told from an inside, authoritative source, this is also a personal account of a uniquely dysfunctional American family caught up in two of the biggest political scandals of the 20th century.
Lehman brings together new work on masculinity in film by established film scholars, new academics, performance artists, and cultural critics. The essays analyze trends from the role of gay men in saving heterosexuality to the emergence of new queer cinema.
A memoir by an accomplished former Congressional staffer who left D.C. for L.A. and a job with filmmaker Oliver Stone in 1993. Expecting to make politically engaged films and make a difference for the better, he instead found himself immersed in a wildly dysfunctional world ruled by greed, paranoia, narcissism, competition, alcohol, and drugs. Annotation copyrighted by Book News, Inc., Portland, OR
This is the first book to expose a crucial aspect of the cover-up of the JFK assassination conspiracy: the doctoring of the Zapruder film, allegedly a 27-second home movie shot by Abraham Zapruder in Dealey Plaza. The evidence for alteration of the Zapruder movie takes many forms, including inconsistencies with eyewitness testimony, discrepancies with other films and photographs, impossible movements within the time-frame of the movie, contradictions between the movie and the physical layout of Dealey Plaza, and the multiple versions of the movie itself. This book brings together all the leading authorities within the assassination research community, including David Healy, authority on technical processes of film production; Jack White, who for forty years has made a special study of the JFK assassination movies and photographs; John Costella, Ph.D., a physicist and engineer with a background in optics, the properties of light, and moving objects; and David W. Mantick, Ph.D., the foremost expert on the medical evidence in the JFK assassination.
The popular media of film and television surround us daily with images of evil - images that have often gone critically unexamined. In the belief that people in ever-increasing numbers are turning to the media for their understanding of evil, this lively and provocative collection of essays addresses the changing representation of evil in a broad spectrum of films and television programmes. Written in refreshingly accessible and de-jargonised prose, the essays bring to bear a variety of philosophical and critical perspectives on works ranging from the cinema of famed director Alfred Hitchcock and the preternatural horror films Halloween and Friday the 13th to the understated documentary Human Remains and the television coverage of the immediate post-9/11 period. The Changing Face of Evil in Film and Television is for anyone interested in the moving-image representation of that pervasive yet highly misunderstood thing we call evil.
This reference volume provides an evaluation of Oliver Stone's work as a screenwriter, producer, and director.
A colorful, in-depth biography of America's greatest intelligence operator.
As the fortieth anniversary of the Nixon resignation approaches, it is time to take a fresh look at Watergate's impact on the American political system and to consider its significance for the historical reputation of the president indelibly associated with it.