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Photography and Literature
Photography and Literature : An International Bibliography of Monographs covers the period 1839-1991. It is arranged alphabetically by author / photographer, with numerous cross references to editors, compilers, illustrators, translators, etc. It lists some 3,900 titles in about twenty languages, and includes books, exhibition catalogues, dissertations, and special issues of magazines ...
Photo-textualities
"This anthology investigates books that juxtapose photographs and written language (photo-texts), considering a variety of examples from America, Britain, Canada, and France. Ranging from Nathaniel Hawthorne's The Marble Faun to Michael Ondaatje's postmodern novel Coming Through Slaughter and Edward Said's postdocumentary After the Last Sky, the contributors' analyses address photo-textuality's implications for representation and its cultural contexts. A truly interdisciplinary collection, Photo-Textualities features contributors who work in literary studies (English, romance languages), as well as contributors who work in media studies (film, graphic arts)." "Photo-Textualities invigorates ...
The Humanities
Updated and expanded to embrace new developments in the electronic environment and new emphases on multicultural and female influences and accomplishments, the fourth edition (3rd ed., 1988) of this guide to humanities information sources includes 1,250 major entries. Chapters cover general humanities, philosophy, religion, visual arts, performing arts, and language and literature. Organized as previous editions, the volume provides one chapter on sources and another on access for each area. The "sources" chapters have in-depth descriptions of both print and electronic tools; the "access" chapters relate to finding and retrieving information. Annotation copyright by Book News, Inc., Portland, OR
Literature & Photography Interactions, 1840-1990
This remarkable book traces comprehensively for the first time the give and take between these sister arts by gathering writings about photography and photographs by and of writers from England, Europe, and the United States over the last century and a half.
Photopoetry 1845-2015
From amateur experiments in scrapbooks and stereographs to contemporary photobook collaborations between leading practitioners, poets and photographers have created an art form that continues to evolve and deserves critical exploration. Photopoetry 1845-2015, a Critical History represents the first account of this challenging and diverse body of work. Nott traces the development of photopoetic collaboration from its roots in 19th-century illustrative practices to the present day. Focusing on work from the UK and US, he examines how and why poets and photographers collaborate, and explores the currents of exchange and engagement between poems and photographs on the page. The book not only considers canonical figures, but brings to light forgotten practitioners whose work questioned and shaped the relationship between word and image. Photopoetry 1845-2015, a Critical History provides a new lens through which to explore poetry, photography, and the spaces between them.
AB Bookman's Weekly
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