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Samuel Beckett's works have spawned a great variety of critical - sometimes contradictory - interpretations, most recently ones stemming from postmodern theories of literature. In keeping with this trend, this book probes the relationship between Beckett's fiction and the work of a number of contemporary French thinkers, such as Maurice Blanchot and Gilles Deleuze, which demonstrates how concepts such as «the thought of the outside» and «the simulacrum» also generate Beckett's transgressive narrative. Beckett and French Theory provides valuable new knowledge and understanding to teachers and students of both Beckett's fiction and recent French critical theory.
This book argues that philosophical pessimism can offer vital impulses for contemporary cultural studies. Pessimist thought offers ways to interrogate notions of temporality, progress and futurity. When the horizon of future expectation is increasingly shaped by the prospect of apocalypse and extinction, an exploration of pessimist thought can help to make sense of an increasingly complex and uncertain world by affirming rather than suppressing the worst. This book argues that a cultural logic of the worst is at work in a substantial section of contemporary philosophical thought and cultural representations. Spectres of pessimism can be found in contemporary ecocritical thought, antinatalist...
A selectively comprehensive bibliography of the vast literature about Samuel Beckett's dramatic works, arranged for the efficient and convenient use of scholars on all levels.
The New Cambridge Companion to Samuel Beckett offers an accessible introduction to issues animating the field of Beckett studies today.
Although Beckett scholarship has in recent decades experienced a renaissance as a result of various poststructuralist approaches that tend to emphasize destabilization and inexpressibility as the defining features of Beckett’s output, relatively little attention has been paid to the ethical aspects of his aesthetics of failure. This book fits into that renaissance, but draws on a distinct, though rarely addressed, connection that Samuel Beckett’s work shares with that of Maurice Blanchot and Emmanuel Levinas. It is within this philosophical context that the significance of Beckett’s aesthetics of failure becomes most visible. Beckett’s work can be described as one of gradual reductio...
This annual French XX Bibliography provides the most complete listing available of books, articles, and book reviews concerned with French literature since 1885. Unique in its scope, thoroughness, and reliability of information, it has become an essential reference source in the study of modern French literature and culture. The bibliography is divided into three major divisions: general studies, author subjects (arranged alphabetically), and cinema. Number 59 in the series contains 12,703 entries. William J. Thompson is Associate Professor of French and Undergraduate and Interdisciplinary Programs in the College of Arts and Sciences at the University of Memphis.
Provides the most complete listing available of books, articles, and book reviews concerned with French literature since 1885. The bibliography is divided into three major divisions: general studies, author subjects (arranged alphabetically), and cinema. This book is for the study of French literature and culture.
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