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Governing the Tongue in Northern Ireland
How free is the Northern Irish writer to produce even a short poem when every word will be scrutinised for its political subtext? Is the visual artist compelled to react to the latest atrocity? Must the creative artist be aware of his or her own inculcated prejudices and political affiliations, and must these be revealed overtly in the artwork? Because of these and other related questions, the recent work by Northern Irish writers and visual artists has been characterised by an inward-looking self-consciousness. It is an art that relays its personal responses in guarded, often coded ways. Characterised by obliquity and self-reflexivity, the art does not simply re-present events and the artis...
WILSON HARRIS : A VISION OF ONENESS
It has been a pain- staking study of collecting information and various interpretations from different sources. The preoccupation of Harris is to explore and discover “the buried truth” in the Individual psyche. I have attempted to show the “wholeness” of Man which is the major concern of Harris. His creative insights into the ‘The unknown modes of being’ are profound. He tries to suggest an alternative vision of Reality’ to the upheavlls and raging conflicts of the twentienth century. I have drawn parallels and comparisons to the Indian tradition of The Upanishads to argue that Man strives after the ‘indivisible whole’. I have not included his recent novels such as Carnival (1985), The Four Banks of the River of Space (1990), The Carnival Trilogy (1993), Jonestown (1996), The Dark Jester (2001) and The Mask of the Beggar (2003).
The Relationship Between Individual and Family in the Caribbean Novel
The book studies the relationship between ?Individual and Family? on the broader sense which is explored in the 19 Caribbean novels are divided into four decades(1950?s to 1980?s) which contributes valuably to the comprehension of the Caribbean phenomenon of ?identity?. In the Caribbean context (West Indian context), the struggle for ?identity? is in essence, a struggle for meaningful relatedness or the sameness with others as human beings, within a society compelled by history into racial and cultural hybridization on the one hand, and the social, economic and political stratification, on the other. The book focuses on psychological and sociological Caribbean context which is different from usual context of understanding. It studies 19 Caribbean novels of 12 writers - George Lamming, V S Naipaul, Samuel Selvon, Edgar Mittelholtzer, Roger Mais, Wilson Harris, Jean Rhys, Michael Anthony, Merle Hodge, John Hearne, Jamaicia Kincaid, and Merle Collins. The novels of these writers explore the uniqueness of the Caribbean society which is ?the microcosm? of the world.
Black African Literature in English 1991-2001
The English Association, based at the University of Leicester in the UK, aims to further knowledge and enjoyment of the English language and literature, and to foster good practice in its teaching and learning at all levels. They produce an annual review, The Year's Work in English, published by Oxford University Press, a narrative bibliographical review of scholarly work on the English language and literatures, including on new literatures in English. This book brings together eleven contributions contemporary black African literature in English, 1991-2001. Some 120 books and over 300 scholarly and bibliographical essays from journals and periodicals are reviewed.
Contemporary Women Writers Look Back
Long before John Barth announced in his famous 1967 essay that late 20th-century fiction was 'The Literature of Exhaustion,' authors have been retelling and recycling stories. Barth was, however, right to identify in postmodern fiction a particular self-consciousness about its belatedness at the end of a long literary tradition. This book traces the move in contemporary women's writing from the self-conscious, ironic parodies of postmodernism to the nostalgic and historical turn of the 21st century. It analyses how contemporary women writers deal with their literary inheritances, offering an illuminating and provocative study of contemporary women writers' re-writings of previous texts and stories. Through close readings of novels by key contemporary women writers including Toni Morrison, Doris Lessing, Margaret Atwood, Zadie Smith, Emma Tennant and Helen Fielding, and of the ITV adaptation, Lost in Austen, Alice Ridout examines the politics of parody and nostalgia, exploring the limitations and possibilities of both in the contexts of feminism and postcolonialism.
Blackness
The study is set in the context of universal verities of the conditions of ìBlacknessî today, and particularly in the light of current debates among black intellectuals in Africa and the diaspora about cultural ownership, impacted by migration and emigrat
