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Dwell
At Dwell, we're staging a minor revolution. We think that it's possible to live in a house or apartment by a bold modern architect, to own furniture and products that are exceptionally well designed, and still be a regular human being. We think that good design is an integral part of real life. And that real life has been conspicuous by its absence in most design and architecture magazines.
Ezra Stoller, Photographer
A long-awaited survey of the full range of Stoller's stunning photography
Medicine Moves to the Mall
Links changes in the sites at which medical services are offered to changes in medical practice, in medical economics, and in patterns of American commerce and urbanism. [back cover].
The TWA Terminal
"Time and expedience have taken tolls on the building. As it has been adapted to the needs of contemporary air travel, the terminal has fallen into disrepair and lost much of the grandeur that made it a symbol of all that was modern and new. Ezra Stoller's sharp-eyed photographs offer a return trip to the terminal at the time of its opening, when dapper travelers moved smartly through its majestic spaces."--BOOK JACKET.
The Salk Institute
"When Jonas Salk founded his eponymous research center for biological studies in 1960, he envisioned a humanist, nearly monastic community of scientists devoted to the prevention and cure of disease. In architect Louis I. Kahn, Salk found a kindred spirit, and together the two created one of the great masterpieces of modern architecture - in Salk's words, "a work of art to serve the work of science."" "Charged by Salk to "invite Picasso to the laboratory," Kahn responded with a series of austere, spiritual spaces for the complex, which was set on a coastal site in the San Diego, California suburb of La Jolla. Kahn's design integrated commodious laboratory and study spaces while offering lush...
Wright on Exhibit
The first history of Frank Lloyd Wright's exhibitions of his own work—a practice central to his career More than one hundred exhibitions of Frank Lloyd Wright's work were mounted between 1894 and his death in 1959. Wright organized the majority of these exhibitions himself and viewed them as crucial to his self-presentation as his extensive writings. He used them to promote his designs, appeal to new viewers, and persuade his detractors. Wright on Exhibit presents the first history of this neglected aspect of the architect’s influential career. Drawing extensively from Wright’s unpublished correspondence, Kathryn Smith challenges the preconceived notion of Wright as a self-promoter who...
The Yale Art + Architecture Building
The Building Blocks series presents icons of modern architecture as interpreted by the most significant architectural photographers of our time. The first four volumes feature the work of Ezra Stoller, whose photography has defined the way postwar architecture has been viewed by architects, historians, and the public at large. The buildings inaugurating this series-Eero Saarinen's TWA Terminal, Wallace Harrison's United Nations complex, Le Corbusier's Chapel at Ronchamp, and Paul Rudolph's Yale Art and Architecture Building-all have bold sculptural presences ideally suited to Stoller's unique vision. Each cloth-bound book in the series contains at least 80 pages of rich duotone images. Taken...
Big and Green
More than a century after its inception, the skyscraper has finally come of age. Though it has long been lampooned as a venal and inhospitable guzzler of resources, a revolutionary new school of skyscraper design has refashioned the idiom with buildings that are sensitive to their environments, benevolent to their occupants, and economically viable to build and maintain. Designed by some of the best-known architects in the world, these towers are as daring aesthetically as they are innovative environmentally. Big and Green is the first book to examine the sustainable skyscraper, its history, the technologies that make it possible, and its role in the future of urban development. The book examines more than 40 of the most important recent sustainable skyscrapers-including Fox & Fowle's Reuters Buildings in New York, Norman Foster's Commerzbank in Frankfurt, and MVRDV's spectacular Dutch Pavilion from Expo 2000 in Hanover-with project descriptions, photographs, and detailed drawings. Interviews with such leaders in the field as Sir Richard Rogers, William McDonough, and Kenneth Yeang are also included.
IAUS, the Institute for Architecture and Urban Studies
The book is a combined memoir and impressionistic history of the Institute for Architecture and Urban Studies. At first affiliated with New York's Museum of Modern Art and Cornell University, the Institute housed architects, artists and historians who worked on creative design and intellectual projects and would become world renown. Its creation and direction was in the hands of its able leader, Peter Eisenman. Besides a documentary study of the work that went on there, among an international clearing house, the book is laced with impressions of the author's experience there. It has been in the works for over 12 years and was originally financed by the Graham Foundation for the Study of the ...
USA
Gwendolyn Wright’s USA is an engaging account the evolution of American architecture, from the late nineteenth century to the twenty-first.
