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The Poverty of Conceptual Truth
R. Lanier Anderson presents a new account of Kant's distinction between analytic and synthetic judgments, and provides it with a clear basis within traditional logic. He reconstructs compelling claims about the syntheticity of elementary mathematics, and re-animates Kant's arguments against traditional metaphysics in the Critique of Pure Reason.
The academy
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Late Kant
Immanuel Kant spent many of his younger years working on what are generally considered his masterpieces: the three Critiques. But his work did not stop there: in later life he began to reconsider subjects such as anthropology, and topics including colonialism, race and peace. In Late Kant, Peter Fenves becomes one of the first to thoroughly explore Kant's later writings and give them the detailed scholarly attention they deserve. In his opening chapters, Fenves examines in detail the various essays in which Kant invents, formulates and complicates the thesis of 'radical evil' - a thesis which serves as the point of departure for all his later writings. Late Kant then turns towards the counte...
Critical Theory
These essays, written in the 1930s and 1940s, represent a first selection in English from the major work of the founder of the famous Institute for Social Research in Frankfurt. Horkheimer's writings are essential to an understanding of the intellectual background of the New Left and the to much current social-philosophical thought, including the work of Herbert Marcuse. Apart from their historical significance and even from their scholarly eminence, these essays contain an immediate relevance only now becoming fully recognized.
Arithmetic and Combinatorics
This is the only work to provide a historical account of Kant's theory of arithmetic, examining in detail the theories of both his predecessors and his successors. Until his death, Martin was the editor of Kant-Studien from 1954, of the general Kant index from 1964, of the Leibniz index from 1968, and coeditor of Leibnizstudien from 1969. This background is used to its fullest as he strives to make clear the historical milieu in which Kant's mathematical contributions developed. He uses Leibniz, Wolff, and others whose work was accomplished before Kant was born as well as Lambert, Mendelssohn, and others roughly contemporary with Kant; and when a point requires it, he refers to Gauss, Grassman, Frege, Russell, and Hilbert. In her translation Wubnig has approached the original author with an abiding respect. She makes the translation flow in English while preserving as far as possible the flavor of the original. She has added many bibliographical and biographical details to ease the following up of Martin's allusions and suggestions.
The Monist
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Substance, Force, and the Possibility of Knowledge
A new understanding of Kant’s theory of a priori knowledge and his natural philosophy emerges from Jeffrey Edwards’s mature and penetrating study. In the Third Analogy of Experience, Kant argues for the existence of a dynamical plenum in space. This argument against empty space demonstrates that the dynamical plenum furnishes an a priori necessary condition for our experience and knowledge of an objective world. Such an a priori existence proof, however, transgresses the limits Kant otherwise places on transcendental arguments in the Critique of Pure Reason because it establishes a material transcendental condition of possible experience. This finding motivates Edwards to examine the bro...
The Founding of Aesthetics in the German Enlightenment
When, in 1735, Alexander Gottlieb Baumgarten added a new discipline to the philosophical system, he not only founded modern aesthetics but also contributed to shaping the modern concept of art or 'fine art'. In The Founding of Aesthetics in the German Enlightenment, Stefanie Buchenau offers a rich analysis and reconstruction of the origins of this new discipline in its wider context of German Enlightenment philosophy. Present-day scholars commonly regard Baumgarten's views as an imperfect prefiguration of Kantian and post-Kantian aesthetics, but Buchenau argues that Baumgarten defended a consistent and original project which must be viewed in the context of the modern debate on the art of invention. Her book offers new perspectives on Kantian aesthetics and beauty in art and science.
