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From the creation of a neuter pronoun in her earliest work, L’Opoponax, to the confusion of genres in her most recent fiction, Virgile, non, Monique Wittig uses literary subversion and invention to accomplish what Erika Ostrovsky appropriately defines as renversement, the annihilation of existing literary canons and the creation of highly innovative constructs. Erika Ostrovsky explores those aspects of Wittig’s work that best illustrate her literary approach. Among the countless revolutionary devices that Wittig uses to achieve renversement are the feminization of masculine gender names, the reorganization of myth patterns, and the replacement of traditional punctuation with her own syst...
A biography of Mata Hari, a Dutch-born performer who was executed as a German spy in France in 1917.
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A defining analysis of the entire span of Kurt Vonnegut's fiction Kurt Vonnegut is one of the few American writers since Mark Twain to have won and sustained a great popular acceptance while boldly introducing new themes and forms on the literary cutting edge. This is the "Vonnegut effect" that Jerome Klinkowitz finds unique among postmodernist authors. In this innovative study of the author's fiction, Klinkowitz examines the forces in American life that have made Vonnegut's works possible. Vonnegut shared with readers a world that includes the expansive timeline from the Great Depression, during which his family lost their economic support, through the countercultural revolt of the 1960s, d...
In 1916, in an exchange of human flesh for war material, the Russian government sent to France two brigades to fight on the side of their French allies. By the end of World War I, these two brigades had experienced their own form of the Russian Revolution, had been isolated at a southern training post in a discipline move by the French government, had battled against each other in what was one of the first confrontations of the Russian Civil War, and had emerged from the conflict as a single force, the Russian Legion of Honor, which would remain loyal to France until the end of the war. The remarkable story of these Russian soldiers has been overlooked by historians until now. Jamie Cockfield here explores the journey and transformation of these men, and in so doing, he examines the impact of the revolution on the Russians who were caught in the middle of wartime alliances and nationalist ardor.
Her beauty brought her fame, her seduction made her dangerous, and her vengeance made her deadly. An exotic dancer who captivated Belle Époque Paris, she was known as 'Mata Hari,' meaning "Eye of the Dawn" in Malay. Her performances, filled with tales of lust, jealousy, and passion, enthralled the public. However, during World War I, she was accused by the French of espionage for the Germans, using her allure to extract military secrets from influential men. Mata Hari remains a symbol of female betrayal, her life a thrilling blend of exotic dance and espionage. This book, the third in the “Last Words Series,” explores the life, death, and last words of Mata Hari, executed by the French for alleged espionage.
Monique Wittig, who died in January 2003, was a leading French feminist, social theorist, prose poet, and novelist--and an activist who helped start the lesbian and women's liberation movements in France. This collection of essays by Wittig and on her work is the first sustained examination in English of her broad-ranging political, literary, and theoretical viewpoints. On Monique Wittig contains twelve essays, representing French, Francophone, and U.S. critics, including three previously unpublished pieces by Wittig herself. Among the essays is Diane Griffin Crowder's discussion of the U.S. feminist movement, Linda Zerilli's consideration of gender and will, and Teresa de Lauretis's examination of the development of lesbian theory. Together, these essays situate Wittig's work in terms of the cultural contexts of its production and reception. This volume also contains the first authenticated chronology of Wittig's life and features the first translation of "For a Movement of Women's Liberation," which Wittig published with other "militantes" in May 1970. As the first book to appear on Wittig following her death, On Monique Wittig is an indispensable tool for feminist scholars.