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Through the diaries and personal papers of a German woman, Vera Conrad, this book documents her wartime experiences and deepens our understanding of the complex experiences of trauma and grief that National Socialist supporters experienced. Building on scholarship about mourning and widowhood that largely focuses on state policies and public discourses, This Horrible Uncertainty provides an interpretive framework of people’s perceptions of events and their capacity to respond to them. Using a history of emotions approach, Erika Quinn establishes that keeping the diary allowed Conrad to develop different selves in response to her responsibilities, fear, and grief after her husband was declared missing in 1943.
The main character, Deshawn, who after his battle with depression, suffers new trials as his changed state of mind is put to the test after a female student takes an interest in him. He shares his life experiences with her explaining that these were the things that not only destroyed him, but made him a stronger person. Mind shattering memories, emotional and physical scars, and buried feelings that he fought so hard to put behind him are revealed. Blocking off contact with his family whom he feels spurned him, his closest friends keep him from going over the edge.
When unemployed costumer Marian Fitzgerald sneaks into a glamorous Hollywood party hoping for a one-on-one with her costume-design idol, she gets an unexpected assist (and a hot, spine-tingling kiss) from famously icy movie star Luke Gable. But when the paparazzi are everywhere and magic is just another special effect, can a midnight kiss survive a 6:00 a.m. call time, a no-dating-coworkers rule, and a secret that could make or break Marian’s career?
No nineteenth-century composer had more diverse ties to his contemporary world than Franz Liszt (1811-1886). At various points in his life he made his home in Vienna, Paris, Weimar, Rome, and Budapest. In his roles as keyboard virtuoso, conductor, master teacher, and abbé, he reinvented the concert experience, advanced a progressive agenda for symphonic and dramatic music, rethought the possibilities of church music and the oratorio, and transmitted the foundations of modern pianism. The essays brought together in Franz Liszt and His World advance our understanding of the composer with fresh perspectives and an emphasis on historical contexts. Rainer Kleinertz examines Wagner's enthusiasm f...
The image of the solitary author devoting days and nights to writing endless bestselling novels remains an insidious and largely unchallenged myth within German culture. In this exacting examination of the German publishing industry, Agency and Author addresses the financial reality sometimes eclipsed by this idea. Focusing on lesser-known German-language writers and their interactions with the Literaturbetrieb (“literary scene”), Agency and Author explores the ways authors assert creative agency in an increasingly ‘eventized’ literary marketplace. Ranging from the impacts of literary awards to media hate campaigns, this volume spotlights how profoundly the German literary landscape and our understanding of authorship is transforming.
Of the many innovative approaches to emerge during the twenty-first century, one of the most productive has been the interdisciplinary nexus of theories and methodologies broadly defined as “the study of emotions.” While this conceptual toolkit has generated significant insights, it has overwhelmingly focused on emotions as linguistic and semantic phenomena. This edited volume looks instead to the material aspects of emotion in German culture, encompassing the body, literature, photography, aesthetics, and a variety of other themes.
Investigates the field of German life writing, from Rahel Levin Varnhagen around 1800 to Carmen Sylva a century later, from Döblin, Becher, women's WWII diaries, German-Jewish memoirs, and East German women's interview literatureto the autofiction of Lena Gorelik.
Recent scholarship has broadened definitions of war and shifted from the narrow focus on battles and power struggles to include narratives of the homefront and private sphere. To expand scholarship on textual representations of war means to shed light on the multiple theaters of war, and on the many voices who contributed to, were affected by, and/or critiqued German war efforts. Engaged women writers and artists commented on their nations' imperial and colonial ambitions and the events of the tumultuous beginning of the twentieth century. In an interdisciplinary investigation, this volume explores select female-authored, German-language texts focusing on German colonial wars and World War I...
Now in its second edition, Bourgeois Europe, 1850–1914 is a general history of Europe from the middle of the nineteenth century to the outbreak of the First World War, a successor to Revolutionary Europe: 1780–1850, also available from Routledge. The book offers wide geographic coverage of the European continent, from the Arctic Circle to the Mediterranean and from the Atlantic to the Urals. Topical coverage is equally broad, including major trends and events in international relations and domestic politics, in social and gender structures, in the economy, and in the natural and social sciences, the humanities, religion and the arts. For this second edition, the text has been completely ...
This title describes how civil war is defined and categorized and presents data and descriptions for nearly 300 civil wars waged from 1816 to the present. Analyzing trends over time and regions, this work is the definitive source for understanding the phenomenon of civil war.