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The Drawings of the Venetian Painters in the 15th and 16th Centuries
First published in New York, 1944.
Erica Tietze-Conrat
Erica Tietze-Conrat wurde am 22. Juni 1883 in Wien geboren. Die Familie gehörte dem assimilierten jüdischen Bürgertum an. 1905 promovierte Erica Conrat als erste Kunsthistorikerin an der Wiener Universität und heiratete im selben Jahr ihren Fachkollegen Hans Tietze (1880-1954), noch heute vor allem bekannt wegen der von ihm nach dem Ende der Monarchie durchgeführten Museumsneuorganisation. Die frühen Tagebuchaufzeichnungen erhellen die beruflichen Möglichkeiten und das Agieren einer jungen Kunstgelehrten mit eigenen künstlerischen Aspirationen im Kunstgeschehen Wiens während der 1920er-Jahre. Man kann beobachten, wie sich Erica Tietze-Conrat auf ihrem Weg trotz bestehender gesellsch...
The Memory Factory
The Memory Factory introduces an English-speaking public to the significant women artists of Vienna at the turn of the twentieth century, each chosen for her aesthetic innovations and participation in public exhibitions. These women played important public roles as exhibiting artists, both individually and in collectives, but this history has been silenced over time. Their stories show that the city of Vienna was contradictory and cosmopolitan: despite men-only policies in its main art institutions, it offered a myriad of unexpected ways for women artists to forge successful public careers. Women artists came from the provinces, Russia, and Germany to participate in its vibrant art scene. Ho...
Andrea Mantegna
Andrea Mantegna: Making Art (History) presents the art of Mantegna as challenging the parameters of the history of art in the demands it makes upon historical interpretation, and explores the artist’s potentially transformative impact on the study of the early Renaissance. Features an array of new methodologies for the study of Mantegna and early Renaissance art Critically addresses the question of iconography and “literary” art, as well as the politics of the monographic exhibition Includes translations of two seminal accounts of the artist by Roberto Longhi and Daniel Arasse, key texts not previously available in English Explores the Mantegna’s potentially transformative impact on the study of the early Renaissance
Forgery, Replica, Fiction
Credulity -- Reference by artifact -- Germany and "Renaissance"--Forgery -- Replica -- Fiction -- Re-enactment.
Albrecht Dürers Marienleben
Im Jahr 1511 veroffentlichte der Nurnberger Kunstler und Humanist Albrecht Durer gleich drei "grosse" Bucher. Wahrend die "Apokalypse" und die "grosse Passion" eher konservativ orientiert waren, beschritt Durer mit dem "Marienleben" neue Wege der Buchkunst. Die Gegenuberstellung von erzahlender Holzschnittfolge und den kunstvoll gesetzten lateinischen Versen des Benediktinermonches Chelidonius stellt allein durch den asthetischen Anspruch schon ein Novum in der Buchgestaltung dar. Das Werk transportierte daruber hinaus auch inhaltlich ein aktuelles Anliegen. Eine kommentierte Neuubersetzung der lateinischen Verse des Chelidonius von Claudia Wiener leitet die Monographie ein, gefolgt von den ...
Dosso's Fate
Dosso Dossi has long been considered one of Renaissance Italy's most intriguing artists. Although a wealth of documents chronicles his life, he remains, in many ways, an enigma, and his art continues to be as elusive as it is compelling. In Dosso's Fate, leading scholars from a wide range of disciplines examine the social, intellectual, and historical contexts of his art, focusing on the development of new genres of painting, questions of style and chronology, the influence of courtly culture, and the work of his collaborators, as well as his visual and literary sources and his painting technique. The result is an important and original contribution not only to literature on Dosso Dossi but also to the study of cultural history in early modern Italy.
Diasporas and Exiles
"Rarely have I encountered a collection of essays that coheres so well around an overarching theme. This will be an important resource."—Hillel J. Kieval, author of Languages of Community
Dürer and Beyond
"This exhibition is the first to offer an extensive overview of the Museum's holdings of early Central European drawings, many of which were acquired in the last two decades. An emphasis on works by later sixteenth- and seventeenth-century artists is balanced by a selection of German drawings from the fifteenth and earlier sixteenth century, of which some of the most exceptional ones--including works by Albrecht Deurer--entered the Museum with The Robert Lehman Collection in 1975."--Publisher's website.
