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Queen Meryl
-- The Devil Wears PradaJournalist and author Erin Carlson documents all of Streep's Oscars, accents, causes, memes, friendships, and feuds; also exploring the "off-brand" forays into action-adventure (The River Wild.
I'll Have What She's Having
A backstage look at the making of Nora Ephron's revered trilogy--When Harry Met Sally, You've Got Mail, and Sleepless in Seattle--which brought romantic comedies back to the fore, and an intimate portrait of the beloved writer/director who inspired a generation of Hollywood women, from Mindy Kaling to Lena Dunham. In I'll Have What She's Having entertainment journalist Erin Carlson tells the story of the real Nora Ephron and how she reinvented the romcom through her trio of instant classics. With a cast of famous faces including Rob Reiner, Tom Hanks, Meg Ryan, and Billy Crystal, Carlson takes readers on a rollicking, revelatory trip to Ephron's New York City, where reality took a backseat t...
My Home, Your Home, Our Homes
"We all have different homes, but everybody needs a place to live! How are we alike and different? Find out in My Home, Your Home, Our Homes."--Back cover.
Small Favors
THE INSTANT NEW YORK TIMES BESTSELLER • From the critically-acclaimed author of House of Salt and Sorrows comes a mesmerizing and chilling fairy-talesque novel about Ellerie Downing, a young woman in a small town with monsters lurking in the trees and dark desires hidden in the shadows—in Amity Falls, nothing is more dangerous than a wish come true. "Unique, enchanting, and haunting."—Brigid Kemmerer, New York Times bestselling author of the Cursebreaker series “Full of beasts, bargains, and blood, Small Favors is a folk horror tale that feels like a classic but is utterly fresh. Sweet, dark, and complex as wildflower honey.”—Hannah Whitten, New York Times bestselling author of F...
Reimagining Historic House Museums
Drawing from innovative organizations across the United States, Reimagining Historic House Museums is an indispensable source of field-tested tools and techniques drawn from such wide-ranging sources as non-profit management, business strategy, and software development. It also profiles historic sites that are using new models to engage with their communities to become more relevant, are adopting creative forms of interpretation and programming, and earning income to become more financially sustainable. The book is a combination of a museum conference, a hands-on workshop, and toolbox. It contains five main parts: Fundamentals and Essentials Audiences Different Approaches to Familiar Topics Methods Imagining New Kinds of House Museums This authoritative guide from the American Association for State and Local History (AASLH) will help house museum boards, directors, and staff seeking a path forward in rapidly changing times. Graduate programs in public history, museum studies, curatorial studies, and historic preservation will discover models and approaches that will provoke lively discussions about the issues facing the field.
Don't Let Me Down
“Clap your hands, rattle your jewelry, and twist and shout for Erin Hosier’s Don’t Let Me Down….Fierce, catchy, hilarious—like your favorite vinyl punk 45—this bird can sing. A glorious memoir.” — Brando Skyhorse, author of Take This Man This fierce and witty memoir about a father-daughter relationship “is a beautifully written, honest, and often funny account of what it is to grow up as a woman” (Nancy Balbirer, author of A Marriage in Dog Years). Erin Hosier’s coming-of-age was full of contradictions. Born into the turbulent 1970s, she was raised in rural Ohio by lapsed hippies who traded 1960s rock ‘n’ roll for 1950s-era Christian hymns. Her mother’s newfound f...
Unholy Trinity
Rebecca Janzen brings a unique applied understanding of religion to bear on analysis of Mexican cinema from the Golden Age of the 1930s onward. Unholy Trinity first examines canonical films like Emilio Fernández's María Candelaria and Río Escondido that mythologize Mexico's past, suggesting that religious imagery and symbols are used to negotiate the place of religion in a modernizing society. It next studies films of the 1970s, which use motifs of corruption and illicit sexuality to critique both church and state. Finally, an examination of films from the 1990s and 2000s, including Guita Schyfter's Novia que te vea, a film that portrays Mexico City's Ashkenazi and Sephardic Jewish communities in the twentieth century, and Carlos Carrera's controversial 2002 film El crimen del padre Amaro, argues that religious imagery—related to the Catholic Church, people's interpretations of Catholicism, and representations of Jewish communities in Mexico—allows the films to critically engage with Mexican politics, identity, and social issues.
We Used to Wait
Examines the making of music videos, originally performed by paid professionals, moving through an amateur stage, to a summer camp in 2011, called OMG! Cameras Everywhere.
Glamour
Paige Forrester shocks the fashion world with her engagement to designer Dylan Marceau, resulting in more responsibility for Erin and possible changes to the direction of their popular TV show.
Undercover Epicenter Nurse
Undercover Epicenter Nurse blows the lid off the COVID-19 pandemic. What would you do if you discovered that the media and the government were lying to us all? And that hundreds, maybe thousands of people were dying because of it? Army combat veteran and registered nurse Erin Olszewski’s most deeply held values were put to the test when she arrived as a travel nurse at Elmhurst Hospital in the epicenter of the COVID-19 pandemic. After serving in Iraq, she was back on the front lines—and this time, she found, the situation was even worse. Rooms were filthy, nurses were lax with sanitation measures, and hospital-acquired cases of COVID-19 were spreading like wildfire. Worse, people who had...
