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Anglo-Danish Empire
Anglo-Danish Empire is an interdisciplinary handbook for the Danish conquest of England in 1016 and the subsequent reign of King Cnut the Great. Bringing together scholars from the fields of history, literature, archaeology, and manuscript studies, the volume offers comprehensive analysis of England’s shift from Anglo-Saxon to Danish rule. It follows the history of this complicated transition, from the closing years of the reign of King Æthelred II and the Anglo-Danish wars, to Cnut’s accession to the throne of England and his consolidation of power at home and abroad. Ruling from 1016 to 1035, Cnut drew England into a Scandinavian empire that stretched from Ireland to the Baltic. His reign rewrote the place of Denmark and England within Europe, altering the political and cultural landscapes of both countries for decades to come.
The Medieval North and Its Afterlife
This book showcases the variety and vitality of contemporary scholarship on Old Norse and related medieval literatures and their modern afterlives. The volume features original new work on Old Norse poetry and saga, other languages and literatures of medieval north-western Europe, and the afterlife of Old Norse in modern English literature. Demonstrating the lively state of contemporary research on Old Norse and related subjects, this collection celebrates Heather O’Donoghue’s extraordinary and enduring influence on the field, as manifested in the wide-ranging and innovative research of her former students and colleagues.
Communal Creativity in the Making of the 'Beowulf' Manuscript
In Communal Creativity in the Making of the ‘Beowulf’ Manuscript, Simon Thomson analyses details of scribal activity to tell a story about the project that preserved Beowulf as one of a collective, if error-strewn, endeavour and arguing for a date in Cnut’s reign. He presents evidence for the use of more than three exemplars and at least two artists as well as two scribes, making this an intentional and creative re-presentation uniting literature religious and heroic, in poetry and in prose. He goes on to set it in the broader context of manuscript production in late Anglo-Saxon England as one example among many of communities using old literature in new ways, and of scribes working together, making mistakes, and learning.
The Land of the English Kin
This volume draws together a series of papers that present some of the most up-to-date thinking on the history, archaeology and toponymy of Wessex and Anglo-Saxon England more broadly. In honour of one of early medieval European scholarship’s most illustrious doyennes, no less than twenty-nine contributions demonstrate the indelible impression Barbara Yorke’s work has made on her peers and a generation of new scholars, some of whom have benefitted directly from her tutorage. From the identities that emerged in the immediate post-Roman period, through to the development of kingdoms, the role of the church, and impacts felt beyond the eleventh century, the rich and diverse character of the studies presented here are testimony to the versatility and extensive range of the honorand’s contribution to the academic field.
Emma
Annotations accompanying the complete text of "Emma" include definitions, commentary, photographs, and scholarly insights intended to help increase understanding of, and present different approaches to, the novel.
Remembering the Medieval Present: Generative Uses of England’s Pre-Conquest Past, 10th to 15th Centuries
This volume of essays focuses on how individuals living in the late tenth through fifteenth centuries engaged with the authorizing culture of the Anglo-Saxons. Drawing from a reservoir of undertreated early English documents and texts, each contributor shows how individual poets, ecclesiasts, legists, and institutions claimed Anglo-Saxon predecessors for rhetorical purposes in response to social, cultural, and linguistic change. Contributors trouble simple definitions of identity and period, exploring how medieval authors looked to earlier periods of history to define social identities and make claims for their present moment based on the political fiction of an imagined community of a single, distinct nation unified in identity by descent and religion. Contributors are Cynthia Turner Camp, Irina Dumitrescu, Jay Paul Gates, Erin Michelle Goeres, Mary Kate Hurley, Maren Clegg Hyer, Nicole Marafioti, Brian O’Camb, Kathleen Smith, Carla María Thomas, Larissa Tracy, and Eric Weiskott. See inside the book.
Kings' Sagas and Norwegian History
Surveying the past two decades of scholarship on the medieval historiography of Norway, this book provides a critical appraisal of the principal issues involved in the study of the primary sources and the key areas of scholarship and future research.
Les Mystères
This collection of essays in English by scholars of international standing presents new insights into the contexts in which the fifteenth-century French mystères were created. It is centred upon the remarkable outburst of large-scale plays written for urban production and dealing with biblical and hagiological subjects which transformed the art of theatre in France and gave rise to a new and multi-faceted theatrical culture. Among the subjects treated are the means by which surviving texts preserve theatrical practice, and some of the ways in which the work of the principal dramatists Eustache Mercadé, Arnoul Gréban and Jean Michel interact with one another and with the work of others. Th...
Translators and Their Prologues in Medieval England
An examination of French to English translation in medieval England, through the genre of the prologue. The prologue to Layamon's Brut recounts its author's extensive travels "wide yond thas leode" (far and wide across the land) to gather the French, Latin and English books he used as source material. The first Middle English writer to discuss his methods of translating French into English, Layamon voices ideas about the creation of a new English tradition by translation that proved very durable. This book considers the practice of translation from French into English in medieval England, and how the translators themselves viewed their task. At its core is a corpus of French to English trans...
Cultural Translations in Medieval Romance
New approaches to this most fluid of medieval genres, considering in particular its reception and transmission.Romance was the most popular secular literature of the Middle Ages, and has been understood most productively as a genre that continually refashioned itself. The essays collected in this volume explore the subject of translation, both linguistic and cultural, in relation to the composition, reception, and dissemination of romance across the languages of late medieval Britain, Ireland, and Iceland. In taking this multilingual approach, this volume proposes a re-centring, and extension, of our understanding of the corpus of medieval Insular romance, which although long considered extr...
