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A novel about an advertising executive framed for murder! When, Joe Fox, a former stockbroker, discovers his second wife the world famous model, Talisa, has been unfaithful to him, the thirty-five year old millionaire divorces her, sells his charter sailing business in Jamaica and buys a small lucrative advertising agency in South Florida. One of the employees at the agency is his former father-in-law, Nelson Baker, from Joe's first marriage, who despises his ex son-in-law for dumping his little girl. With the agency's accountant, Erin Palmer, who is also his mistress, the pair concocts an elaborate plot to frame their boss for the murder of his secretary, enabling them to gain control of the agency.
The head of Manchester, New Hampshire´s homicide detectives is called to the scene of a brutal murder. There, he finds more than the victim. He finds that violent crime has become routine in nature to him just by looking at a crime scene he can describe what had happened. He finds that he has let slip his ideal, to defeat violent crime, that led him into police work as a young man. And most of all he finds that he has failed his code! Self-anger propels him down an untrodden path. He encounters hidden agendas, violence and murder as he threads his way through the fabric of our social and political environment. The path leads him into a world where a persons´ code determines their ethics.
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This book should be viewed as a primer for any new or aspiring CMO, C-suite peer to marketing, or marketer looking to ’up their game’, and as such it provides a range of ideas, concepts, approaches and considerations from a wide range of CMOs who are driving significant transformation within their organizations. The chief marketing officer is arguably the least understood role in the C-suite by both the outside world and internal audiences. Job specifications differ widely - much more than for the chief executive officer (CEO), chief financial officer (CFO), or chief talent officer. This book helps to define parameters for both B2C and B2B marketers and points to some game-changing strategies designed to lead change and deliver success. Following the success of her first book, The Changing MO of the CMO, MaryLee Sachs has drawn on her research and interviews with some of the most inventive new CMOs from companies in established and emerging markets. What the New Breed of CMOs Know that You Don’t speaks to the future of marketing, the strategic value of the function and the role of the CMO.
We live in an era of constitution-making. New constitutions are appearing in historically unprecedented numbers, following regime change in some countries, or a commitment to modernization in others. No democratic constitution today can fail to recognize or provide for gender equality. Constitution-makers need to understand the gendered character of all constitutions, and to recognize the differential impact on women of constitutional provisions, even where these appear gender-neutral. This book confronts what needs to be considered in writing a constitution when gender equity and agency are goals. It examines principles of constitutionalism, constitutional jurisprudence, and history. Its goal is to establish a framework for a 'gender audit' of both new and existing constitutions. It eschews a simple focus on rights and examines constitutional language, interpretation, structures and distribution of power, rules of citizenship, processes of representation, and the constitutional recognition of international and customary law. It discusses equality rights and reproductive rights as distinct issues for constitutional design.
In the nearly twenty years since their publication, Gilles Deleuze's books about cinema have proven as daunting as they are enticing -- a new aesthetics of film, one equally at home with Henri Bergson and Wim Wenders, Friedrich Nietzsche and Orson Welles, that also takes its place in the philosopher's immense and difficult oeuvre. With this collection, the first to focus solely and extensively on Deleuze's cinematic work, the nature and reach of that work finally become clear. Composed of a substantial introduction, twelve original essays produced for this volume, and a new English translation of a personal, intriguing, and little-known interview with Deleuze on his cinema books, The Brain Is the Screen is a sustained engagement with Deleuze's cinematic philosophy that leads to a new view of the larger confrontation of philosophy with cinematic images.
Voltage-gated ion channels have a paramount importance in many physiological processes such as cell-to-cell communication, action potential-propagation, and cell motility. Voltage-gated ion channels are characterized by their ability to sense membrane voltage and to greatly change channel activity in response to small changes in the voltage. The ability to sense voltage resides in the four voltage-sensor domains (VSDs) surrounding the central ion-conducting pore. Membrane depolarization causes the inside of the membrane to become positively charged, electrostatically repelling the positively charged fourth transmembrane segment (S4), or voltage sensor, in the VSD, causing the voltage sensor ...
A Play For Power Princess Oria has one chance to keep her word and stop her brother’s reign of terror: She must become queen. All she has to do is marry first. And marry Lonen, the barbarian king who defeated her city bare weeks ago, who can never join her in a marriage of minds, who can never even touch her—no matter how badly she wants him to. A Fragile Bond To rule is to suffer, but Lonen never thought his marriage would become a torment. Still, he’s a resourceful man. He can play the brute conqueror for Oria’s faceless officials and bide his time with his wife. And as he coaxes secrets from Oria, he may yet change their fate… An Impossible Demand With deception layering on deception, Lonen and Oria must claim the throne and brazen out the doubters. Failure means death— for them and their people. But success might mean an alliance powerful beyond imagining…