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Every year, American universities publish glowing reports stating their commitment to diversity, often showing statistics of female hires as proof of success. Yet, although women make up increasing numbers of graduate students, graduate degree recipients, and even new hires, academic life remains overwhelming a man's world. The reality that the statistics fail to highlight is that the presence of women, specifically those with children, in the ranks of tenured faculty has not increased in a generation. Further, those women who do achieve tenure track placement tend to report slow advancement, income disparity, and lack of job satisfaction compared to their male colleagues. Amid these disadva...
There is a brutal sexual predator on the loose in Melbourne. Someone is attacking young women, knocking them senseless and leaving them mutilated. The first woman is blinded, the next has her ears damaged. The attacks are getting worse, and women are dying. Detective Marita Van Hassel, from the Melbourne Sexual Crimes Squad, is called on to use both her profiling and investigative skills to try to catch this animal. But the killer is proving elusive, and he has Rita in his sights as well.
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This collection of essays expands critical consideration of Mary Shelley’s placement within the age we call “Romantic,” wherein her texts converse with those of her family, her circle, and her contemporaries. Several essays address particularly how her texts interact with those of her husband Percy Bysshe Shelley, revealing new depth and breadth to their literary partnership. Others investigate interdisciplinary perspectives, such as her pieces in The Liberal or the ways in which the figure of Scheherezade haunts her works, while several essays also consider Mary Shelley’s textual relationships with contemporaries such as Thomas Moore and John Polidori. Still others tackle topics such as geopolitical relationships and the growth of opera as an art form, considering Mary Shelley’s commentary upon such contemporary issues, while William Godwin’s textual relationship with his daughter is further investigated. This collection suggests Mary Shelley’s texts merit further investigation not only for what they reveal about their author and her oeuvre, but for the ways in which they illuminate our understanding of the contexts in which they were composed.
The fictional Don Quixote was constantly defeated in his knightly adventures. In writing Quixote's story, however, Miguel Cervantes succeeded in a different kind of quest — the creation of a modern novel that ‘conquers’ and assimilates countless literary genres. /spanDon Quixote among the Saracens considers how Cervantes's work reflects the clash of civilizations and anxieties towards cultural pluralism that permeated Golden Age Spain. Frederick A. de Armas unravels an essential mystery of one of world literature's best known figures: why Quixote sets out to revive knight errantry, and why he comes to feel at home only among the Moorish ‘Saracens,’ a people whom Quixote feared at the beginning of the novel. De Armas also reveals Quixote's inner conflicts as both a Christian who vows to battle the infidel, but also a secret Saracen sympathizer. While delving into genre theory, Don Quixote among the Saracens adds a new dimension to our understandings of Spain's multicultural history.
What does hospitality have to do with Romanticism? What are the conditions of a Romantic welcome? Romantic Hospitality and the Resistance to Accommodation traces the curious passage of strangers through representative texts of English Romanticism, while also considering some European philosophical “pre-texts” of this tradition. From Rousseau’s invocation of the cot-less Carib to Coleridge’s reception of his Porlockian caller, Romanticisms encounters with the “strange” remind us that the hospitable relation between subject and Other is invariably fraught with problems. Drawing on recent theories of accommodation and estrangement, Peter Melville argues that the texts of Romantic ho...
A collection of innovative examinations of embodiment in Milton’s oeuvre that challenge assumptions about disciplinary boundaries This volume brings unprecedented focus to the forms, spaces, and implications of embodied motion in Milton’s writing and its afterlives to explore how and why he privileges the body—human and textual—as a site of dynamic movement. The contributors bring a variety of lenses to Milton’s moving bodies: political history, kinematics, mathematics, cosmology, translation, illustration, anatomies of racialized and disabled bodies, and twenty-first-century pedagogies. From these wide-ranging vantage points, they consider anew Milton’s contributions to the histories of scientific development, global exploration and imperial expansion, migration and diaspora, and translation and adaptation in England, Europe, and the Americas, from the early modern period to today. Milton’s Moving Bodies draws together established and emerging scholars, offering fresh analyses of the poet’s legacy for multiple traditions within and beyond Milton studies.
In Timothie Bright and the Origins of Early Modern Shorthand, J.D. Fleming brings together two areas of sixteenth-century intellectual history. One is the period emergence of artificial systems for verbatim shorthand notation—a crucial episode in the history of information. The other is the ancient medical discourse of melancholy humour, or black bile. Timothie Bright (1550–1615), physician and priest, prompts the juxtaposition. For he was the author, not only of the period’s original shorthand manual—Characterie (1588)—but also of the first book in English on the dark humour: The Treatise of Melancholy (1586). Bright’s account of melancholy involves a cybernetic phenomenology of...
Hobart has been a flourishing community since 1847, when founder George Earle named the settlement after his brother, Frederick Hobart Earle. Mendoza chronicles 160 years of this hard-working community with images that reflect events and developments that helped make Hobart the thriving city it is today.