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One of the comic-book greats, Ernie Colon, treats readers by vividly illustrating four chilling mysteries based on the classic radio horror show Inner Sanctum Mysteries. Illustrated with his trademark black-and-white style, the terror within includes a doll that cries out the name of the devil, a grotesque enslaver that only one man can see and the story of someone buried alive!
A symbol of counterculture worldwide, Ernesto "Che" Guevara is one of the most, if not the most, recognizable and influential revolutionary figures of the twentieth century. From the pages of history textbooks to silk-screened T-shirts at Urban Outfitters, his mythologized face is positively unavoidable. But what, exactly, does this glorified image stand for? During his life, and perhaps even more since his death, Che has elicited controversy and wildly divergent opinions as to who he was and what he represented. In Che: A Graphic Biography, Sid Jacobson and Ernie Colón—the graphic duo who made the 9/11 Commission Report understandable in their bestselling The 9/11 Report: A Graphic Adapt...
Read Sid Jaconson's posts on the Penguin Blog Two legends of the comic book industry bring to life the story of gore and lust that inspired Dracula. Vlad the man had a devilish streak-a vicious temper, a passion for women, and a thirst for revenge. Vlad the ruler was a true devil-a relentless torturer, a brutal murderer, and a paranoid leader whose megalomania would be his own undoing. Responsible for the merciless deaths of thousands, this savage 15th century ruler earned himself the moniker Vlad the Impaler. His bloody reign struck terror into the hearts of his disciples and inspired generations of vampire myths-most famously Bram Stoker's ghoulish protagonist, Dracula. However that beloved bloodsucker doesn't hold a candle to the real-life fiend whose brutal treachery has made him immortal.
Having made The 9/11 Commission Report understandable for everyone, the award-winning, bestselling graphic novel team of Sid Jacobson and Ernie Colón use all their considerable talents to explain the post-9/11 world. Working from news reports drawn from multiple international media, Jacobson and Colón depict the critical events, decision makers, and consequences of America’s “war on terror,” and, most important, the context in which the war began, unfolded, and unraveled. The most demanding story they have ever tackled, After 9/11 is also the most tailor-made for their medium, capturing simultaneous events, geographic complexity, numerous participants, and a vast array of economic, statistical, and quantitative information—compellingly told through the sequential panel art narrative form unique to graphic books. Proving yet again that graphic novels best meet the challenge of giving the most information with the least amount of ink, Jacobson and Colón answer with clarity and unforgettable imagery the question: How the hell did we end up where we are?
Drawing on the unique historical sites, archives, expertise, and unquestioned authority of the Anne Frank House in Amsterdam, the New York Times bestselling authors Sid jacobson and Ernie Colon have created the first authorized and exhaustive graphic biography of Anne Frank. Their account is complete, covering the lives of Anne's parents, Edith and Otto; Anne's first years in Frankfurt; the rise of Nazism; the Frank's immigration to Amsterdam; war and occupation; Anne's years in the secret annex; betrayl and arrest; her deportation and tragic death in Bergen-Belsen; the survival of Anne's father; and his recovery and publication of her astounding diary.
In 1954, the comic book industry instituted the Comics Code, a set of self-regulatory guidelines imposed to placate public concern over gory and horrific comic book content, effectively banning genuine horror comics. Because the Code applied only to color comics, many artists and writers turned to black and white to circumvent the Code's narrow confines. With the 1964 Creepy #1 from Warren Publishing, black-and-white horror comics experienced a revival continuing into the early 21st century, an important step in the maturation of the horror genre within the comics field as a whole. This generously illustrated work offers a comprehensive history and retrospective of the black-and-white horror comics that flourished on the newsstands from 1964 to 2004. With a catalog of original magazines, complete credits and insightful analysis, it highlights an important but overlooked period in the history of comics.
(Paperback Edition) A sampling of the best material from the long-running "Harveyville Fun Times!" fanzine featuring articles about various Harvey Comics characters such as Casper, Richie Rich, Hot Stuff and Sad Sack. Edited by Mark Arnold.
Within days of the murder of President John F. Kennedy, Lyndon B. Johnson appointed a seven-member commission to investigate the assassination. In its report, the Warren Commission determined that there was “no credible evidence” conflicting with its conclusion of a lone gunman. Artist Ernie Colón, bestselling illustrator of The 9/11 Report: A Graphic Adaptation, teams up with author Dan Mishkin to provide a unique means of testing the commission’s findings, unraveling conflicting narratives side by side through graphic-novel techniques. The Warren Commission Report: A Graphic Investigation into the Kennedy Assassination breaks down how decisions in the days that followed the assassination not only shaped how the commission reconstructed events but also helped foster the conspiracy theories that play a part in American politics to this day.
A graphically illustrated history of America through its major speeches, laws, proclamations, court decisions, and essays introduces, through the narrative character of "Uncle Sam," each document's origins, creation, and impact.