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German Romantic Literary Theory
Professor Behler provides a view of the literary work and the artistic process developed in the German Romantic period.
Irony and the Discourse of Modernity
Behler discusses the current state of thought on modernity and postmodernity, detailing the intellectual problems to be faced and examining the positions of such central figures in the debate as Lyotard, Habermas, Rorty, and Derrida. He finds that beyond the “limits of communication,” further discussion must be carried out through irony. The historical rise of the concept of modernity is examined through discussions of the querelle des anciens et des modernes as a break with classical tradition, and on the theoretical writings of de Stael, the English romantics, and the great German romantics Schlegel, Hegel, and Nietzsche. The growth of the concept of irony from a formal rhetorical term to a mode of indirectness that comes to characterize thought and discourse generally is then examined from Plato and Socrates to Nietzsche, who avoided the term “irony” but used it in his cetnral concept of the mask.
Philosophy of German Idealism: Fichte, Jacobi, and Schelling
The texts in this volume constitute highlights in the movement called transcendental idealism. Includes: Fichte's, "Some Lectures Concerning the Scholar's Vocation," and "A Crystal Clear Report to the General Public..."; Jacobi's, "On Faith and Knowledge in Response to Schelling and Hegel," and "Open Letter to Fichte, 1799"; an anonymous author's "The Oldest Systematic Program of German Idealism, 1797"; and Schelling's "Ideas on a Philosophy of Nature as an Introduction to the Study of This Science," "Philosophical Investigations into the Essence of Human Freedom and Related Matters," and other texts. (For other texts in German Philosophy see vols. 5, 13, 24, 27, 40, 48, and 78.)>
Dialogue on Poetry and Literary Aphorisms
The Dialogue on Poetry is one of the most important of Schlegel's critical and philosophical writings. Modeled on Plato's Symposium, it comprises eulogies on poetry delivered by participants in a fictitious conversation, who represent the historical figures of the German Romantic School. Thus the Dialogue expounds the main critical ideas of German Romanticism and simultaneously provides a panorama of the early Romantic Movement. Schlegel was the leading critical thinker of the German Romanticists. His importance for the theory of Romantic poetry and the history of criticism becomes increasingly obvious with the growing interest in Romanticism. René Welleck called Schlegel "one of the greate...
Confrontations
A Stanford University Press classic.
Frühromantik
None
Romantic Irony
This is the first collaborative international reading of irony as a major phenomenon in Romantic art and thought. The volume identifies key predecessor moments that excited Romantic authors and the emergence of a distinctly Romantic theory and practice of irony spreading to all literary genres. Not only the influential pioneer German, British, and French varieties, but also manifestations in northern, eastern, and southern parts of Europe as well as in North America, are considered. A set of concluding syntheses treat the shaping power of Romantic irony in narrative modes, music, the fine arts, and theater innovations that will deeply influence Modernism. Thus the cross-cultural and i...
Others
This volume fulfills the author's career-long reflections on radical otherness in literature. J. Hillis Miller investigates otherness through ten nineteenth- and twentieth-century authors: Friedrich Schlegel, Charles Dickens, George Eliot, Anthony Trollope, Joseph Conrad, W. B. Yeats, E. M. Forster, Marcel Proust, Paul de Man, and Jacques Derrida. From the exquisite close readings for which he is celebrated, Miller reaps a capacious understanding of otherness--one reachable not through theory but through literature itself. Otherness has wide valence in contemporary literary and cultural studies and is often understood as a misconception by hegemonic groups of subaltern ones. In a pleasing co...
