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Professor Behler provides a view of the literary work and the artistic process developed in the German Romantic period.
Behler discusses the current state of thought on modernity and postmodernity, detailing the intellectual problems to be faced and examining the positions of such central figures in the debate as Lyotard, Habermas, Rorty, and Derrida. He finds that beyond the “limits of communication,” further discussion must be carried out through irony. The historical rise of the concept of modernity is examined through discussions of the querelle des anciens et des modernes as a break with classical tradition, and on the theoretical writings of de Stael, the English romantics, and the great German romantics Schlegel, Hegel, and Nietzsche. The growth of the concept of irony from a formal rhetorical term to a mode of indirectness that comes to characterize thought and discourse generally is then examined from Plato and Socrates to Nietzsche, who avoided the term “irony” but used it in his cetnral concept of the mask.
A Stanford University Press classic.
The texts in this volume constitute highlights in the movement called transcendental idealism. Includes: Fichte's, "Some Lectures Concerning the Scholar's Vocation," and "A Crystal Clear Report to the General Public..."; Jacobi's, "On Faith and Knowledge in Response to Schelling and Hegel," and "Open Letter to Fichte, 1799"; an anonymous author's "The Oldest Systematic Program of German Idealism, 1797"; and Schelling's "Ideas on a Philosophy of Nature as an Introduction to the Study of This Science," "Philosophical Investigations into the Essence of Human Freedom and Related Matters," and other texts. (For other texts in German Philosophy see vols. 5, 13, 24, 27, 40, 48, and 78.)>
This volume fulfills the author's career-long reflections on radical otherness in literature. J. Hillis Miller investigates otherness through ten nineteenth- and twentieth-century authors: Friedrich Schlegel, Charles Dickens, George Eliot, Anthony Trollope, Joseph Conrad, W. B. Yeats, E. M. Forster, Marcel Proust, Paul de Man, and Jacques Derrida. From the exquisite close readings for which he is celebrated, Miller reaps a capacious understanding of otherness--one reachable not through theory but through literature itself. Otherness has wide valence in contemporary literary and cultural studies and is often understood as a misconception by hegemonic groups of subaltern ones. In a pleasing co...
This interdisciplinary study examines the impact of the emerging awareness of historicity on the concepts of modernity, identity, and culture as they developed in German thought around 1800. It shows how this awareness determined the German notion of the priority of cultural identity. Key texts from Sturm und Drang, Weimar Classicism, German Romanticism and German Idealism, including Goethe’s Faust I and Wilhelm Meisters Lehrjahre, are contextualised in relation to post-Enlightenment debates on historicity and modernity. The study traces the modification of the Enlightenment concepts of perfectibility and universal ideals to accommodate the new notion of temporal particularity and imperman...
This collection brings together in translation the finest postwar German-language scholarship on Nietzsche's philosophy, ranging over his concept of irony, his thoughts on music, his relation to the pre-Socratics, his concept of truth, and numerous other topics. Many of the essays appear in English here for the first time, and all are newly translated for the volume.
"Revenge of the Aesthetic stands as a call for further reassessment of the kind of work being done in the field of literary studies and promises to occupy a critical position in ensuing debates over the place of literature in relation to theory."—Emory Elliott, Distinguised Professor of English, University of California, Riverside "In the landscape of theory, we have been in the throes of historicism, a variety of cultural studies, and a variety of marxisms--all reading right through the text as if texts were not material but transparent, as if they were representations of the social. That was their limit. Revenge of the Aesthetic may well mark the beginning of a revolution against such practices."—Helen Regueiro Elam, Professor of English, SUNY Albany
Covering the complete development of post-Kantian Continental philosophy, this volume serves as an essential reference work for philosophers and those engaged in the many disciplines that are integrally related to Continental and European Philosophy.