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The essays collected in this volume publish the proceedings of a colloquium held at the Warburg Institute on 11 January 2013 to mark the 100th anniversary of the birth of Ernst Kitzinger. His work has been, and still is, fundamentally influential on the present-day discipline of art history in a wide range of topics. He pioneered the study of iconoclasm, of Anglo-Saxon art in relation to the art of the Mediterranean, of the manipulation of Byzantine artistic forms by the rulers of Norman Sicily and of the functions and meanings of ornament in media such as textiles and architectural sculpture. The first half of the book is primarily biographical, with papers covering his extraordinary career...
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The two volumes consist of thirty-eight articles previously published by the author from 1938 to 1995.
This is the first of two volumes that contains all of Professor Kitzinger's major essays on the art of Late Antiquity, accompanied by a new preface and a comprehensive index.
This, the second of two volumes containing all of Professor Kitzinger's essays on late antique and medieval art, painting and mosaics, is accompanied by a new preface and a comprehensive index.
One of the primary reasons for founding the Leo Baeck Institute was to create a place where the remnants of public and family archives of German Jewry could be collected and preserved for study and research. It includes over 4,000 collections.
The text explores the iconographic and stylistic sources of the Greek mosaicists, as well as the departures from Byzantine norms, and the relationship of the decoration to contemporary work in the royal foundations. Also included is a chapter on the architecture of the church by Slobodan Çurciç.