You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
E. E. Cummings’s erotic poems and drawings gathered in a single volume. Many years ago the prodigious and famously prolific E. E. Cummings sat in his study writing and thinking about sex. His private brooding gave way to poems and drawings of sexual and romantic love that delight and provoke. Here, collected for this first time in a single volume, are those erotic poems and sketches, culled from Cummings’s original manuscripts by the distinguished editor George James Firmage. from “16” may i feel said he (i’ll squeal said she just once said he) it’s fun said she (may i touch said he how much said she a lot said he) why not said she
The most sophisticated and daring poetic ironist of the early Roman Empire, Publius Ovidius Naso, is perhaps best known for his oft-imitated Metamorphoses. But the Roman poet also wrote lively and lewd verse on the subjects of love, sex, marriage, and adultery—a playful parody of the earnest erotic poetry traditions established by his literary ancestors. The Amores, Ovid's first completed book of poetry, explores the conventional mode of erotic elegy with some subversive and silly twists: the poetic narrator sets up a lyrical altar to an unattainable woman only to knock it down by poking fun at her imperfections. Ars Amatoria takes the form of didactic verse in which a purportedly mature a...
This collection of Ovid's poems deals with the whole spectrum of sexual desire, ranging from deeply emotional declarations of eternal devotion to flippant arguments for promiscuity. In the Amores, Ovid addresses himself in a series of elegies to Corinna, his beautiful, elusive mistress. The intimate and vulnerable nature of the poet revealed in these early poems vanishes in the notorious Art of Love, in which he provides a knowing and witty guide to sexual conquest - a work whose alleged obscenity led to Ovid's banishment from Rome in AD 8. This volume also includes the "Cures for Love," with instructions on how to terminate a love affair, and "On Facial Treatment for Ladies," an incomplete ...
Classical Sanskrit literature boasts an exquisite canon of poetry devoted to erotic love. In Erotic Poems from the Sanskrit, noted translator and scholar R. Parthasarathy curates a selection in a new verse translation that introduces readers to Sanskrit poetry in a modern English vernacular. The volume features works by seventy-two poets, including seven women poets and thirty-five anonymous poets, primarily composed between the fourth and seventeenth centuries. It includes a detailed introduction that guides readers through Sanskrit poetic forms and explains how to read and appreciate the poems in English. Erotic Poems from the Sanskrit seeks to represent the breadth of Sanskrit poetry thro...
There is a deep tradition of eroticism in American poetry. Thoughtful, provocative, moving, and sometimes mirthful, the poems collected in The Best American Erotic Poems celebrate this exuberant sensuality. These poems range across the varied landscapes of love and sex and desire -- from the intimate parts of the body to the end of an affair, from passion to solitary self-pleasure. With candor and imagination, they capture the delights and torments of sex and sexuality, nudity, love, lust, and the secret life of fantasy. David Lehman, the distinguished editor of the celebrated Best American Poetry series, has culled a witty, titillating, and alluring collection that starts with Francis Scott Key, Emily Dickinson, Walt Whitman, and Hart Crane, encompasses Frank O'Hara, Anne Sexton, John Updike, Charles Simic, Billy Collins, Kevin Young, and Sharon Olds, and concludes with the rising stars of a whole new generation of versifiers, including Sarah Manguso, Ravi Shankar, and Brenda Shaughnessy. In a section of the book that is sure to prompt discussion and further reading, the living poets write about their favorite works of erotic writing. This book will delight, surprise, and inspire.
This is a daring collection that will quicken the pulse of all who venture within its covers. With a Thousand Kisses scans the centuries for the creme de la creme of poetic and illustrated eroticism, and the result is a book that will bring many smiles and perhaps a few blushes to its readers. Among the poets in the collection we have included John Donne, Lord Rochester, Browning, Baudelaire, Yeats, Neruda, Ann Sexton and many more. There is even a new and unpublished poem from Louis de Bernieres, novelist and poet, and the author of Captain Corelli's Mandolin. Illustrations come from Boucher, Titian, Correggio, Fragonard, Courbet, Rodin, Toulouse Lautrec... to name but a few.
"Naked Soul: The Erotic Love Poems" is an extraordinary storytelling in the form of erotic love poetry, speaking directly to the reader's heart through sensations that course throughout the body. This powerful collection of erotic and sensual love poems celebrates the erotic spirit in all its forms -- from intense passionate sexual desire to seductive victory. There are love poems for every mood and sentimental feeling, for every phase of love you are experiencing whether you are with a partner or not. Read it slowly. Read a poem at a time, or two-or all at once-but give it time to sink into your heart. Read them again. Visualize. Let the poem show you what may be lying dormant in your own heart. Any poetry lover who loves deep symbolism, storytelling and musing over deep verses will find this book very touching. No matter which phase of love you are growing in currently, this book will serve to sail you further towards the endless ocean of love.
This unique bilingual edition of Goethe's erotic poems contains the Roman Elegies (1789), The Diary (1810), and a selection from the Venetian Epigrams of 1790. David Luke's translations do full justice to Goethe's aim of liberating German poetry and restoring sexual love to its central position in human life. Hans Vaget's fine introduction provides the background to these poems, as well as showing some of the profound and little-known connections between them.
Presents a Sappho by a poet and translator that treats the fragments as aesthetic wholes, complete in their fragmentariness, and which is also, as the translator puts it: 'ever mindful of performative qualities, quality of voice, changes of voice...'