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This popular text helps students develop and practise the wide range of poetry criticism skills demanded by the CXC English syllabuses. There are three sections which provide a carefully planned learning programme.
Comprehensive alphabetical guide to theatre in Africa and the Caribbean: national essays and entries on countries and performers.
Kathryn Ervin and Ethel Pitts Walker have compiled a delicately balanced and impeccably coherent anthology of some of the best scenes from the past sixty years of African American theatre. Each scene subtly articulates African American culture in a Western frame and explores universal themes embedded in unique characters, stories, languages, and time periods. Theatrically appropriate for secondary students, African American Scenebook also provides unique opportunities for classroom discussion about the difficult issues relating to race in America.
This book focuses on the economic and social forces which shaped American theatre throughout its history. Alone or as a collection, these essays, written by leading theatre historians and critics of the American theatre, will stimulate discussions concerning the traditionally held views of America's theatrical heritage.
Winner, 2019 Barnard Hewitt Award for Outstanding Research in Theatre History, given by the American Society for Theatre Research Honorable Mention, 2021 Errol Hill Award, given by the American Society for Theatre Research Argues for a conception of black cultural life that exceeds post-blackness and conditions of loss In Afro-Fabulations: The Queer Drama of Black Life, cultural critic and historian Tavia Nyong’o surveys the conditions of contemporary black artistic production in the era of post-blackness. Moving fluidly between the insurgent art of the 1960’s and the intersectional activism of the present day, Afro-Fabulations challenges genealogies of blackness that ignore its creative...
A study of post-colonial drama and theatre. It examines how dramatists from various societies have attempted to fuse the performance idioms of their traditions with the Western dramatic form, demonstrating how the dynamics of syncretic theatrical texts function in performance.