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Nigerian Gods is an enlightening and sobering review of the impact of the introduction of the three main Abrahamic religions on Nigeria's traditional religions, culture and way of life, viewed through the prism of its eleven largest and two of the smallest ethnic groups. Kome Otobo, gives here a factual and acute description and presentation of the main characteristics of the major ethnic groups in Nigeria - historical background and socio-political structures, demography, traditional religions, differing impacts of Judaism, Christianity, Islam, and major occupations and modes of existence - which should serve to propel all to a fuller assessment of the complexities of the directions which a Post-Covid-19 World is tending rapidly, ethnically and racially exploited differences jumping to the fore to question erstwhile dominant political ideologies and political arrangements based on them.
Perfectionism, as routinely used and perpetuated by droves of psychologists and relevant medical specialists, connotes obsession with certain repetitive thoughts and behaviours extreme of the average. What we have in The Healthy Perfectionist is the shedding of light on the reality of perfectionism as routine modes of making sense of and tackling whichever circumstances confronting any person, to achieve a better outcome or state of affairs. In this well-crafted eight-chaptered book, the author, using impressive and comprehensive comparative data and historical evidence, incisively and systematically shows how perfectionism-the urge and efforts directed at achieving more effective methods an...
Ellen Banda-Aaku's first book, Wandi's Little Voice, won the Macmillan Writer's Prize for Africa in 2004. The story is set in a Lusaka suburb. It is about a young girl transitioning into adolescence.
The Gospel Sounds Like the Witch's Spell is a highly detailed ethnography about how the Jopadhola in eastern Uganda talk about, interpret and cope with death, illness and other misfortunes. The book presents a provocative discussion that critiques the idea of the revival of witchcraft in the neo-liberalised contemporary world, as represented by the 'modernity model of witchcraft', and attempts to formulate a 'spiderweb model' that connects witchcraft to contemporary society in a more complex manner. The book is a unique ethnography of the collective memory of indigenous knowledge and local historicity. The author moves the reader from curse to misfortune to fortune as he plots the notion of ...
Because of the climate crisis and declining ocean health, humans are increasingly in a liminal space between this world and imaginary, alien worlds to come. The poems raise the issue of climate change by foregrounding the centrality, beauty, and significance of the ocean, and of marine life to humanity. They suggest that all species live 'between worlds': between fantasy and reality, dreaming and wakefulness, intuition and consciousness, water and air. We need all worlds to survive. Serendipitously, the poems were composed between dusk and dawn. They are both part-thoughts and whole thoughts that come to inspire my ethnographic writing.
This book reveals the oil that greases the wheels of one of Africa's best criminal justice systems. Principles of Namibian Criminal Law distils the major principles that help people answer this one big, life-defining question: Is the accused guilty? In 14 chapters, this book discusses principles that govern matters such as punishment, criminal liability, causation, unlawfulness, culpability, participation in crimes, and incomplete crimes. Largely inherited from South Africa, the principles of Namibian criminal law emanate mostly from common law and case law. Particularly, case law has been the channel through which lawyers in Namibia have, since Independence on 21 March 1990, molded their ow...
Essays on Pan-Africanism begins with essays by Shiraz Durrani, Abdilatif Abdulla, Issa Shivji, Firoze Manji, Sabatho Nyamsenda, Willy Mutunga and Noosim Naimasiah on various aspects of Pan-Africanism. This is followed by Remembering the Champions of African Liberation, with articles on Patrice Lumumba by Antoine Lokongo, Abdulrahman Babu by Amrit Wilson, Makhan Singh by Hindpal Singh and Piyo Rattansi, followed by Tajudeen Abdul Raheem's last Pan African Postcard (2009) and Debating and Documenting Africa - A Conversation. The Preface, Pan-African Thought, is by Prof. Issa Shivji. The book incorporates Karim Essack's compilation, The Pan African Path (1993) with historical records and documents on Pan-African history, with a new Preface by Prof. Issa Shivji. The final section has documents on Pan-Africanism, including the Kampala Declaration (1994)
From Limbe, the seaside city, to Kolofata in the north of Cameroon, Of Passion and Ink moves from stories of star-crossed lovers, mental health, dark fantasy, displacement, speculative futures to radicalization. These stories subvert what is believed to be the Cameroonian short story and offer exciting new directions.Selected from the Bakwa Magazine Short Story Prize, as well as commissioned, these stories herald new voices in Cameroonian fiction, by young writers who write in English and French.Stories by: Dipita Kwa, Bengono Essola Edouard, Monique Kwachou, Dzekashu MacViban, Howard M-B Maximus, Nkiacha Atemnkeng, A. Bouna Guazong, Rita Bakop, Momo Bertrand and Wise Nzikie Ngasa.
Abdul-Rasheed Na'Allah's Ilorin รณ is a unique collection of praise poems in English, Yoruba, and Hausa passionately celebrating and illuminating the city of Ilorin's wealth of culture, history, Islamic heritage, and individual achievements. It is a work that is solid in content, form, and techniques. There are many quotable lines, a measure of poetic strength. I cannot forget the line about the child hearing Koranic recitation from the mother's womb. Also, the moral authority combined with oratory in a wise one who can be heard by a dumb ruler! In addition to the rich Islamic heritage and the success of Ilorin individuals in the areas of justice and bravery, the poet praises the city's deli...
In the European scamble for Africa towards the end of the 19th century, Britain declared itself for the Oil Rivers Protectorate to gain monopoly of the palm oil trade in what is now part of the land it put together as a country. Later it formed the first Federation of Nigeria with the former Royal Niger Company as its principle commercial operator, and the indigenous people of tha area, the Niger Delta, the suppliers of raw materials that Britian needed for its factories. The author is one of Africa's foremost poets. Drawing upon offcial documents and the oral tradition he presents a powerful panorama of the players in the original drama of the creation of Nigeria.