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Horror’s pleasures fundamentally hinge on looking backward, either on destabilising trauma, or as a period of comfort and happiness which is undermined by threat. However, this stretches beyond the scares on our screens to the consumption and criticism of the monsters of our past. The horror films of our youth can be locations of psychological and social trauma, or the happy place we go back to for comfort when our lives become unsettled. Horror That Haunts Us: Nostalgia, Revisionism, and Trauma in Contemporary American Horror is a collection of essays that brings together multiple theoretical and critical approaches to consider the way popular horror films from the last fifty years commun...
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
The powerful and inspiring story of an all-American wrestler who defied the odds—Now an original movie produced by Ben Affleck and Matt Damon, starring Jennifer Lopez, Jharrel Jerome, Don Cheadle, Michael Peña and Bobby Cannavale! Anthony Robles is a three-time all-American wrestler, the 2011 NCAA National Wrestling Champion, and a Nike-sponsored athlete. He was also born without his right leg. Doctors could not explain to his mother, Judy, what led to the birth defect, but at the age of five, the one-legged toddler scaled a fifty-foot pole unassisted. From that moment on, Judy knew that her son would be unstoppable. Anthony first began wrestling in high school; he was the smallest kid on the team and finished the year in last place. But he completed his junior and senior years with a 96–0 record to become a two-time Arizona State champion. In college, he faced personal hardships which almost forced him to drop out. But Anthony remained focused on his goals and won the NCAA National Championship in March 2011. Unstoppable is the story of one man whose spirit and unyielding resolve remind us all that we have the power to conquer adversity—in whatever form.
"This publication accompanies the exhibition The Philosophy Chamber: Art and Science in Harvard's Teaching Cabinet, 1766-1820, on view at the Harvard Art Museums, Cambridge, Massachusetts, from May 19 through December 31, 2017, and at The Hunterian, University of Glasgow, Scotland, in 2018."
While there exists a wide range of material covering violence against women, very little scholarly attention has been paid to international media treatments of gendered violence. This volume addresses the gap by providing a broad overview of contemporary representations of gendered violence, enabling comparison and contrast in forms of violence and constructions of gender across a wide range of political and geographic contexts. From nonfictional accounts of the mass rapes during the Rwandan genocide to the sexual objectification of women in Serbian media and depictions of prostitute murders in the Chinese media, this book provides an overview of media representations of gendered violence ar...
The Advocate is a lesbian, gay, bisexual, transgender (LGBT) monthly newsmagazine. Established in 1967, it is the oldest continuing LGBT publication in the United States.
Liberation theologies are the most important theological movement of our time. In the 20th century, their influence shook the Third and First Worlds, grass root organizations and the affluent Western academy, as well as the lives of priests and laypeople persecuted and murdered for living out their understanding of the Christian message. In the 21st C their insights and goals remain – unfortunately – as valid as ever.
'Useful Objects' examines the cultural history of nineteenth-century American museums through the eyes of writers, visitors, and collectors. Throughout this period, museums gradually transformed from encyclopedic cabinets to more specialized public institutions. These changes prompted wider debates about how museums determine what objects to select, preserve, and display-and who gets to decide. Drawing on a wide range of archival materials and accounts in fiction, guidebooks, and periodicals, this text shows how the challenges facing nineteenth-century museums continue to resonate in debates about their role in American culture today.
Over the last few decades, drug trafficking organizations in Latin America became infamous for their shocking public crimes, from narcoterrorist assaults on the Colombian political system in the 1980s to the more recent wave of beheadings in Mexico. However, while these highly visible forms of public violence dominate headlines, they are neither the most common form of drug violence nor simply the result of brutality. Rather, they stem from structural conditions that vary from country to country and from era to era. In The Politics of Drug Violence, Angelica Dur n-Mart nez shows how variation in drug violence results from the complex relationship between state power and criminal competition....
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