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Musical Implications
This collection of seventeen essays by friends, colleagues, and former students celebrates the extraordinarily broad intellectual reach of Eugene Narmour, Edmund J. Kahn Distinguished Professor Emeritus of Music at the University of Pennsylvania, a seminal figure in the field of music theory, and a path breaking scholar in music cognition. The studies range widely in subject and approach, just as Narmour's work demonstrates impressive mastery in an imposing array of disciplines, including, beyond his own training in music theory, art history, cognitive studies, linguistics, and psychology. Fittingly, therefore, these essays draw upon cognitive, historical, performative, philosophical, style-analytical, and theoretical models. The contributors include: Lawrence Bernstein, James Buhler, Matthew Butterfield, Catherine Chamblee, Alfred Cramer, Zohar Eitan, Robert Gjerdingen, Christopher Hasty, Robert Hopkins, Cristle Judd, Fred Lerdahl, Justin London, Eugene Montague, Caroline Palmer and Janeen Loehr, Alexander Rozin, Ruth Solie, and Gary Tomlinson.
The Analysis and Cognition of Melodic Complexity
In this work, Eugene Narmour extends the unique theories of musical perception presented in The Analysis and Cognition of Basic Melodic Structures. The two books together constitute the first comprehensive theory of melody founded on psychological research. Narmour's earlier study dealt with cognitive relations between melodic tones at their most basic level. After summarizing the formalized methodology of the theory described in that work, Narmour develops an elaborate and original symbology to show how sixteen archetypes can combine to form some 200 complex structures that, in turn, can chain together in a theoretically infinite number of ways. He then explains and speculates on the cognit...
The Psychology of Music
On interpreting musical phenomena in terms of mental function
Conceptualizing Music
This book shows how recent work in cognitive science, especially that developed by cognitive linguists and cognitive psychologists, can be used to explain how we understand music. The book focuses on three cognitive processes--categorization, cross-domain mapping, and the use of conceptual models--and explores the part these play in theories of musical organization. The first part of the book provides a detailed overview of the relevant work in cognitive science, framed around specific musical examples. The second part brings this perspective to bear on a number of issues with which music scholarship has often been occupied, including the emergence of musical syntax and its relationship to musical semiosis, the problem of musical ontology, the relationship between words and music in songs, and conceptions of musical form and musical hierarchy. The book will be of interest to music theorists, musicologists, and ethnomusicologists, as well as those with a professional or avocational interest in the application of work in cognitive science to humanistic principles.
Musical Performance
Table of contents
Decentering Music
As a work of cultural criticism that recalls the concerns of Foucault, Hayden White, Zizek, and others Decentering Music examines the struggle for the authority to speak about music at a time when the humanities are in crisis. By linking the institutions that support musical research, including professional associations and universities, to complex historical changes such as globalization and the commodification of knowledge, Korsyn undertakes a critique of musical scholarship as an institutional discourse, while contributing to a general theory of disciplinary structures that goes beyond the limits of any single field. In asking a number of fundamental questions about the models through whi...
Well-Being
The nature of well-being is one of the most enduring and elusive subjects of human inquiry. Well-Being draws upon the latest scientific research to transform our understanding of this ancient question. With contributions from leading authorities in psychology, social psychology, and neuroscience, this volume presents the definitive account of current scientific efforts to understand human pleasure and pain, contentment and despair. The distinguished contributors to this volume combine a rigorous analysis of human sensations, emotions, and moods with a broad assessment of the many factors, from heredity to nationality, that bear on our well-being. Using the tools of experimental science, the ...
Reading Musical Interpretation
Performance studies in the Western art music tradition have often been dominated by the relationship of theoretical score-analysis to performance, although some recent trends have aimed at dislodging the primacy of the score in favour of assessing performance on its own terms. In this book Julian Hellaby further develops these trends by placing performance firmly at the heart of his investigations and presents a structured approach to analysing the interpretation of a musical work from the perspective of a musically informed listener. To enable analysis of individual interpretations, the author develops a conceptual framework in which a series of performance-related categories is arranged hi...
The Oxford Handbook of Music and Disability Studies
Like race, gender, and sexuality, disability is a social and cultural construction. Music, musicians, and music-making simultaneously embody and shape representations and narratives of disability. Disability -- culturally stigmatized minds and bodies -- is one of the things that music in all times and places can be said to be about.
