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The Art of Glass
-- Published to coincide with a major exhibition. -- Examines in depth the historical background of each designer and firm, their styles and techniques. This introduction to the most innovative period of goth century glass-making was published to coincide with The Art of Glass - Art Nouveau to Art Deco exhibition at the Sunderland Museum and Art Gallery. The fascinating history of art glass in this Period begins in the 1880's with the precursors to Art Nouveau, follows the creations of Galle, Daum and Muller Freres. It continues with the development of opalescent, frosted and clear molded glass -- especially Lalique, Art Deco, functionalism, Orrefors and English and Scottish glass. But it is above all the glass itself, beautifully reproduced in full color, that brings to life one of the most exciting and creative periods in the history of art glass.
Eugene Rousseau
The book's first principal section covers Rousseau's life, including his Fulbright study in Paris with the legendary Marcel Mule and his decades as a professor at Indiana University and the University of Minnesota. The second portion presents Rousseau's approach to saxophone pedagogy, including aspects such as tone production, technique, high tones, and articulation. --from publisher description
Art Nouveau
Rarely has a subject been served by a book of this stature. Five years in the making, it covers all aspects of Art Nouveau in France in 624 authoritative pages and 740 illustrations. Arwas traces the evolution of the movement as it developed, primarily in Nancy and Paris, with the help of carefully chosen illustrations, many never published before. Ranging from the 1900 Paris exhibition to paintings, graphics and posters and such collecting fields as furniture, jewellery, ceramics, book bindings and sculpture, the informative, witty text ranges over architecture, haute couture, and the role of women in Art Nouveau with a particular look at such theatrical icons as Sarah Bernhardt, Loïe Fuller and the Grandes Horizontales. Destined to become the standard book on the subject, both content and design will appeal widely to the connoisseur, the specialist and the collector, as well as to the novice who will be introduced to the magical wonders of the style.
Band Today, Part 1
A band method for full band classes, like instrument classes, or individual instruction. Band Today is the basic method book of the Contemporary Band Course. The Contemporary Band Course is a complete curriculum of instructional material for the development of an outstanding band course. Correlated with Band Today are supplementary technic books, rudimentary theory books, ensembles and ensemble books, individual band arrangements, program band books, and instrumental solos.
MLN.
Provides image and full-text online access to back issues. Consult the online table of contents for specific holdings.
The Cambridge Companion to the Saxophone
The Cambridge Companion to the Saxophone, first published in 1999, tells the story of the saxophone, its history and technical development from Adolphe Sax (who invented it c. 1840) to the end of the twentieth century. It includes extensive accounts of the instrument's history in jazz, rock and classical music as well as providing practical performance guides. Discussion of the repertoire and soloists from 1850 to the present day includes accessible descriptions of contemporary techniques and trends, and moves into the electronic age with midi wind instruments. There is a discussion of the function of the saxophone in the orchestra, in 'light music' and in rock and pop studios, as well as of the saxophone quartet as an important chamber music medium. The contributors to this volume are some of the finest performers and experts on the saxophone.
Classic Festival Solos - E-flat Baritone Saxophone, Volume 2
Classic Festival Solos, Volume 2 continues to afford the advancing student the opportunity to find performance materials graded from easy to more challenging, including exposure to a variety of musical styles. Many of these works appear on state contest lists. Titles: * Andantino (Coggins) * Aria (Mozart, arr. Rascher) * Baritone Byline (Rousseau) * Browsing Baritone (Rousseau) * Dance (Paganini, arr. Rousseau) * The Elephant (Saint-Saens, arr. Coggins) * Grave and Allegro (Marcello, arr. Coggins) * The Happy Farmer (Schumann, arr. Rousseau) * Hornpipe (Handel, arr. Rascher) * If Thou Be Near (Bach, arr. Rascher) * Nina (Pergolese, arr. Rousseau) * An Old Hymn (Herman, arr. Rascher) * Romp (Lamb, arr. Rascher) * Rondeau from the Fairie Queen (Purcell, arr. Rascher/Hunt) * Walzer (Grieg, arr. Rascher)
The Dark Stream
Leon Rousseau's The Dark Stream offers a fascinating insight into the life of Eugène Marais, one of the most complex and outstanding Afrikaners who ever lived, but is at the same time a panorama of South African history. Rousseau's account of the life of Eugène Marais begins in the early days of Pretoria (1871) and ends three years after Hitler's rise to power. Between these two dates are sandwiched many of the great events of Afrikaner and South African history: the British occupation of Pretoria, the beginning of the Afrikaans language movement, the Jameson raid, 'the naughty nineties' (when Marais was in London), the Boer War and its aftermath, World War I, and the rise of Afrikaner nationalism. Against this changing canvas, Rousseau introduces the reader to Marais in all his complexity, he explores Marais's talents as a naturalist, hypnotist, doctor and psychologist. He gives us an insight into Marais as an advocate, citizen of the world, magician and author and also takes us into his life as the widower, the lover and the tragic morphine addict.
