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"Anastasia: The autobiography of H.I.H. the Grand Duchess Anastasia Nicholaevna of Russia" by Eugenia Smith. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
This volume collects Lillian Smith's speeches and essays, under three headings. In 'Addressed to the South' they are a historical record of segregation and the opposition to segregation. In 'Words That Chain Us and Words That Set Us Free, ' they discuss the power of language to change political and social situations, the necessity of respect for people's differences, the groping for meaning that we do.
Bringing together short stories, lectures, essays, op-ed pieces, interviews, andexcerpts from her longer fiction and nonfiction, A Lillian Smith Reader offers thefirst comprehensive collection of her work.
An avid letter-writer, Smith mastered the epistolary form in her work as director of her family's Laurel Falls Camp, an innovative summer camp for girls in the north Georgia mountains. There she developed her critique of southern attitudes about race and gender, her concern for children, and her theories of social change. Over the years her correspondents included Eleanor Roosevelt, Martin Luther King, Jr., Richard Wright, and the leaders of such organizations as the Southern Conference for Human Welfare, the NAACP, and CORE. Margaret Rose Gladney has selected 145 of Smith's 1500 extant letters for this volume.
Manuscript and galleys of One hour / Lillian Smith. Published: New York : Harcourt, Brace, 1959.
The first ever overview of women's contributions to the dawn of cinema looking at a variety of roles from writers and directors to film editors and critics. Why have women such as Alice Guy-Blache, the creator of narrative cinema, been written out of film history? Why have so many women working behind the scenes in film been rendered invisible and silent for so long? Silent Women, pioneers of cinema explores the incredible contribution of women at the dawn of cinema when, surprisingly, more women were employed across the board in the film industry than they are now. It also looks at how women helped to shape the content, style of acting and development of the movie business in their roles as...
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