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The rich artistic traditions of Alaska Natives are the subject of this landmark volume, which examines the work of the premier Alaska artists of the twentieth century. Ranging across the state from the islands of the Bering Sea to the interior forests, Alaska Native Art provides a living context for beadwork and ivory carving, basketry and skin sewing. Examples of work from Tlingit, Aleutian Islanders, Pacific Eskimo, Athabascan, Yupik, and Inupiaq artists make this volume the most comprehensive study of Alaskan art ever published. Alaska Native Art examines the concept of tradition in the modern world. Alaska Native Art is a volume to treasure, a tribute to the incredible vision of Alaska's artists and to the enduring traditions of all of Alaska's Native peoples.
"Drawn from two conferences of the Vernacular Architecture Forum--one held in Charleston in 1994, and the other in Ottawa in 1995"--Back cover.
This book draws upon both ancient and contemporary sources to examine the significance of the earth from the perspective of six different cultures and how these spiritual traditions have valued, perceived, and understood the earth. At first glance the peoples of aboriginal Australia, Japan, Greece, Africa, South America, and Native North America couldn't be more different. But by taking a closer look, the author shows that there are many more similarities than differences- all revere mountains as a source of inspiration and holiness, all feel a spiritual connection to the soil itself, all create art and literature to celebrate their connection to the land, and all see themselves as inextricable from the land they call home. This unique volume explores how human beings across the planet and across time have felt about the earth and nature, and how they have understood it, related to it, and celebrated it in their literature, mythology, religion, and art. It demonstrates that no matter where on the planet we exist, and no matter what time period we live, we all have a profound connection to the earth. -- from Book Jacket.
Navajo Beadwork: Architectures of Light traces the evolution of the art as explained by traders, Navajo consultants, and Navajo beadworkers themselves. It also shares the visions, words, and art of 23 individual artists to reveal the influences on their creativity and shows how they go about creating their designs."--BOOK JACKET.
The largest by far of the fifty states, Alaska is also the state of greatest mystery and diversity. And, as Claus-M. Naske and Herman E. Slotnick show in this comprehensive survey, the history of Alaska’s peoples and the development of its economy have matched the diversity of its land- and seascapes. Alaska: A History begins by examining the region’s geography and the Native peoples who inhabited it for thousands of years before the first Europeans arrived. The Russians claimed northern North America by right of discovery in 1741. During their occupation of “Russian America” the region was little more than an outpost for fur hunters and traders. When the czar sold the territory to t...
Charles Davies (b.ca. 1706) emigrated from England to Philadelphia, and married Hannah Matson in 1732/1733. Descendants (chiefly spelling the surname Davis) and relatives lived in Pennsylvania, North Carolina, Ohio, Indiana, Iowa, Nebraska, Kansas, Oklahoma, California and elsewhere.
The most detailed and well-illustrated study of material culture for any northern Athabascan language group to date, Gwich’in Athabascan Implements reproduces pre- and early post-contact tools that are historically important to the Athabaskan people. A long-term collaboration between anthropologist Thomas O’Brien and Athabascan elder David Salmon, this volume provides more than one hundred one-to-one sketches of a wide variety of implements, many of which are no longer commonly found in use.