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Artists Under Hitler
'Artists Under Hitler' closely examines cases of artists who failed in their attempts to find accommodation in the Nazi regime as well as others whose desire for official acceptance was realised. They illuminate the complex cultural history of this period and provide haunting portraits of people facing excruciating choices and grave moral questions.
Museum Worthy
Museum Worthy examines the history behind works of art that were looted in western Europe by the Nazis during the Second World War and never returned to their rightful owners, instead claimed by postwar governments of France, Belgium, and the Netherlands for display in museums, embassies, ministries, and other public buildings.
Restitution and Memory
The myriad debates on restitution and memory, which have been going on in Europe for decades, indicate that World War II never ended. It is still very much with us, paradoxically re-invoked by the events of 1989/90 and the expansion of Europe to the east in the aftermath of the collapse of communism and economic globalization. The growing privatization and reprivatization in Eastern Europe revive pre-war memories that lay buried under the blanket of collectivization and nationalization of property after 1945. World War II did not only result in the death and destruction on a large scale but also in an a far-reaching revolution of existing property relations. This volume offers an assessment of the problematic of restitution and its close interconnection with the discourses of memory that have recently emerged.
The Belvedere: 300 Years a Venue for Art
Anniversary publication of the Belvedere The Belvedere in Vienna epitomizes the changes that have taken place over the course of three centuries in the concept of what constitutes a museum. Originally built by Prince Eugene of Savoy to enhance his prestige as a prince, under Maria Theresa, the Upper Belvedere became one of the world’s first public museums. The idea of presenting Austrian art in an international context, which in 1903 motivated the establishment of the Modern Gallery in the Lower Belvedere, remains the key objective of this world-famous cultural institution. In this critical homage, renowned authors explore enduring questions that transcend the different epochs, such as : W...
Messerschmidt and Modernity
An astonishing group of sixty-nine “Character Heads” by German sculptor Franz Xaver Messerschmidt (1736–1783) has fascinated viewers, artists, and collectors for more than two centuries. The heads, carved in alabaster or cast in lead or tin alloy, were conceived outside the norm of conventional portrait sculpture and explore the furthest limits of human expression. Since their first exposure to the public in 1793, artists, including Egon Schiele (1890–1918), Francis Bacon (1909–1992), Arnulf Rainer (born 1929), and, more recently, Tony Cragg (born 1949) and Tony Bevan (born 1951), have responded to their overwhelming visual power. Lavishly illustrated, Messerschmidt and Modernity p...
Shifting Voices
Previous scholarly attention to Hapsburg culture has emphasized its German-centred aspects. Shifting Voices brings a new focus to the Hapsburg Empire's rich Hungarian component through a comparative feminist analysis of women's literary contributions in Austria and in Hungary.
Caging Skies
The internationally bestselling novel, inspiring the major film Jojo Rabbit now nominated for 6 Academy Awards, including Best Picture and Best Adapted Screenplay An extraordinary, strikingly original novel that reveals a world of truth and lies both personal and political, Caging Skies is told through the eyes of Johannes Betzler, avid member of the Hitler Youth during World War II. Filled with admiration for the Fu ̈hrer and Nazi ideals, he is shocked to discover his parents are hiding a Jewish girl named Elsa behind a false wall in their home in Vienna. After he’s disfigured in a raid, Johannes focuses more and more on his connection with the girl behind the wall. His initial horror an...
Jewish Life in Austria and Germany Since 1945
Based on published primary and secondary materials and oral interviews with some eighty communal and organizational leaders, experts and scholars, this book provides a comparative account of the reconstruction of Jewish communal life in both Germany and in Austria (where 98% live in the capital, Vienna) after 1945. The author explains the process of reconstruction over the next six decades, and its results in each country. The monograph focuses on the variety of prevailing perceptions about topics such as: the state of Israel, one?s relationship to the country of residence, the Jewish religion, the aftermath of the Holocaust, and the influx of post-soviet immigrants. Cohen-Weisz examines the changes in Jewish group identity and its impact on the development of communities. The study analyzes the similarities and differences in regard to the political, social, institutional and identity developments within the two countries, and their changing attitudes and relationships with surrounding societies; it seeks to show the evolution of these two country?s Jewish communities in diverse national political circumstances and varying post-war governmental policies. ÿ
New Perspectives on Austrians and World War II
For more than a generation after World War II, offi cial government doctrine and many Austrians insisted they had been victims of Nazi aggression in 1938 and, therefore, bore no responsibility for German war crimes. During the past twenty years this myth has been revised to include a more complex past, one with both Austrian perpetrators and victims.Part one describes soldiers from Austria who fought in the German Wehrmacht, a history only recently unearthed. Richard Germann covers units and theaters Austrian fought in, while Th omas Grischany demonstrates how well they fought. Ela Hornung looks at case studies of denunciation of fellow soldiers, while Barbara Stelzl-Marx analyzes Austrian s...
Christmas in Germany
"Perry's work is original, comprehensively researched, and a major contribution to understanding the central importance of the evolution of a consumer culture in modern Germany. The scholarship is sound, impressive, and provocative."ùRudy Koshar, University of Wisconsin-Madison --
