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I Lappland
Billeder fra samisk kultur og kulturmiljø fra årene 1868 og 1871
Women Photographers
None
The Memory of the Photograph
Boken har blitt til i forbindelse med forskningsprosjektet "The memory of the photograph", som har som målsetting å skape oversikt over fotosamlinger i Norden, baltiske stater og Russland. Boken diskuterer og informerer om katalogisering og klassifikasjon på området, og har blant annet bibliotekarer som jobber med fotosamlinger som målgruppe. Illustrert. Engelsk tekst.
Photography in Children's Literature
Photography in Children’s Literature is the first study that examines the wide array of artistic techniques, topics, and genres used within photographic books for children. Covering a time period from the 1870s to the 1980s, the collection offers multifaceted insights into changing perceptions of children and childhood during an era when the world changed in unprecedented ways. More than sixty full-color illustrations demonstrate an impressive variety of genres, from ABC books, concept books, and country portraits to photo reportage and poetry. By discussing photographic books from ten countries and three continents, the collection offers an international scope, providing a glimpse into the production and reception of photography in children’s literature in a range of contexts and cultures. Photographic books for children thus open up new vistas for scholars interested in an interdisciplinary and transnational investigation of children’s literature, text and images, across the centuries.
The Visible Wall
Focusing on films produced in Sweden for primarily Swedish audiences, Wright analyzes how the portrayal of the relatively small Jewish minority has evolved over the years. She also compares the images of Jews in Swedish film with those of other ethnic subcultures: long-term resident communities such as tattare ('travelers', an indigenous pariah group often confused with gypsies), Finns, the Sami, and recent immigrant populations such as Greeks, Italians, Turks, and Yugoslavians. She is also the first scholar to discuss Ingmar Bergman's presentation of Jewish characters. Wright confronts important - and exceedingly difficult - social questions. She deals head-on with xenophobia, anti-Semitism, immigration, assimilation, ethnicity, multiculturalism, and the national self-image of Swedes as reflected in their cinema. She also analyzes the manner in which Swedish film represents the persecution of Jews in Nazi-dominated Europe.
Diplomacy in Southeastern Europe
This issue of zeitgeschichte off ers a comprehensive survey of aspects of Yugoslav foreign policy during Cold War détente. Due to its geostrategic location on the Balkan peninsula, Yugoslavia became an important focus for the U.S.S.R. and the United States during the East–West confl ict. After the break with Stalin in 1948, the Yugoslav "leader" Tito sought to position Yugoslavia as a non-aligned state on the international level and played a hegemonic role in the Non-Aligned Movement (NAM). The articles analyze Yugoslav policy in the 1960s and 1970s, examining its intentions, its developments, its strategic advantages, and its limits in the context of (geo-)political, economic, and cultural circumstances, with a focus on non-alignment as a leitmotiv of Yugoslav political ambitions, political and economic relations between Yugoslavia and countries of the NAM, the role of the Balkans in U.S. Cold War policy, and aspects of Yugoslav labor migration.
History of Photography
The fourth volume in a history of photography, this is a bibliography of books on the subject.
Fashioned in the North
This edited volume showcases new examples - previously untold stories of images, photographers, publications, and institutions - partly unknown outside the Nordic countries. The authors examine the reasons for and implications of this underexposure, taking on a photographic metaphor. While simultaneously challenging previously taken-for-granted ideas of the center and periphery in this field, the book also widens the study of fashion photography. Notably, the hybridity of approaches may enrich future studies of fashion photography. In Fashioned in the North, fashion photography is viewed as a transnational phenomenon and a material object, as well as a medium that is part of a media system and a result of archival systems and history writings. Furthermore, the book displays how studies of fashion photography can be so much more than stories of a few names and iconic images or studies of individual and periodic style. Indeed, the study of fashion photography may be a prism through which we can uncover cultural, social, economic, and ideological aspects of society at present and in the past.
