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The book title comes from Aubrey Bells Portugal of the Portuguese (1916): Since the murder of King Carlos and of the Crown Prince Luis Felipe on the 1st of February 1908. A swarm of writers have descended like locusts on the land The methodology is to connect a specific group of critics in the years before the First World War to a constellation of general attitudes about Portugal and the Portuguese-speaking world. Intersecting personal narratives are used, not as an argument for individual agency as dominant cause of historical change, but as contrasting discourses upon revisited events. The primary focus is to explain how the critical context of Portugals history that incubated The Locusts ...
Kane explores the role of religious identity in Boston in the years 1900-1920, arguing that Catholicism was a central integrating force among different class and ethnic groups. She traces the effect of changing class status on religious identity and solidarity, and she delineates the social and cultural meaning of Catholicism in a city where Yankee Protestant nativism persisted even as its hegemony was in decline.
This work marks the 400th anniversary of the death of one of England's greatest monarchs, a highly intelligent and successful ruler. The volume appeals to everyone interested in the charismatic character of Elizabeth I, her time and cultural afterlife. Contributors focus on important aspects of Elizabeth's subtle and resourceful political power and the longstanding struggle she faced at home and abroad as well as the threats posed to her realm. This edition presents a series of essays about fictional representations of Queen Elizabeth I in literature, music, and film. Articles illuminate the fascinating story of her numerous afterlives and their significance for the cultural history of England, its sense of identity and psyche. Essays investigate the ceremony, festivities, and dance practices at her court and bring to life the cultural significance of this colorful and extraordinary monarch. Christa Jansohn is professor of British culture at the University of Bamberg, Germany.
Can there be a virtue in vengeance? Can revenge do ethical work? Can revenge be the obligation of women? This wide-ranging literary study looks at Shakespeare's women and finds bold answers to questions such as these. A surprising number of Shakespeare's female characters respond to moral outrages by expressing a strong desire for vengeance. This book's analysis of these characters and their circumstances offers incisive critical perceptions of feminine anger, ethics, and agency and challenges our assumptions about the role of gender in revenge. In this provocative book, Marguerite A. Tassi counters longstanding critical opinions on revenge: that it is the sole province of men in Western literature and culture, that it is a barbaric, morally depraved, irrational instinct, and that it is antithetical to justice. Countless examples have been mined from Shakespeare's dramas to reveal women's profound concerns with revenge and justice, honor and shame, crime and punishment. In placing the critical focus on avenging women, this book significantly redresses a gender imbalance in scholarly treatments of revenge, particularly in early modern literature.
Sir Philip Gibbs was one of the most widely read English journalists of the first half of the twentieth century. This coverage of his writing offers a broad insight into British social and political developments, government and press relations, propaganda, and war reporting during the First World War.
American women have created an especially vigorous and innovative poetry, beginning in 1632 when Anne Bradstreet set aside her needle and picked up her "poet's pen." The topics of American women poets have been various, their images their own, and their modes of expression original. Emily Stipes Watts does not imply that the work of American men and that of American women are two different kinds of poetry, although they have been treated as such in the past. It is her aim, rather, to delineate and define the poetic tradition of women as crucial to the understanding of American poetry as a whole. By 1850, American women of all colors, religions, and social classes were writing and publishing ...
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To celebrate the archdiocese of Boston's bicentennial, this informative volume chronicles a wide range of Boston history with a particular concentration on religion. Each chapter examines a different angle of the Church's past by focusing on influential figures, including Bishop Cheverus, John F. Kennedy, and Elizabeth Seton. Contributors--such as Libby MacDonald Bischof, François Gauthier, Carol Hurd Green, and Rev. Joseph M. O'Keefe, SJ--also provide keen insights into the future of the city and its faith in this valuable reference.