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Confesiones
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Childhood in the Middle Ages and the Renaissance
Earlier theses on the history of childhood can now be laid to rest and a fundamental paradigm shift initiated, as there is an overwhelming body of evidence to show that in medieval and early modern times too there were close emotional relations between parents and children. The contributors to this volume demonstrate conclusively on the one hand how intensively parents concerned themselves with their children in the pre-modern era, and on the other which social, political and religious conditions shaped these relationships. These studies in emotional history demonstrate how easy it is for a subjective choice of sources, coupled with faulty interpretations – caused mainly by modern prejudices toward the Middle Ages in particular – to lead to the view that in the past children were regarded as small adults. The contributors demonstrate convincingly that intense feelings – admittedly often different in nature – shaped the relationship between adults and children.
Como Si Fueran Héroes
Ancianas solitarias, escritores de éxito, maridos sometidos a maltrato, profesores entregados a su trabajo, un grupo de amigas de mediana edad en competición deportiva y empleados insomnes son, entre otros, los protagonistas de estas breves historias cotidianas, a veces tiernas, a veces divertidas, otras tal vez ligeramente -aunque sólo muy, muy ligeramente- sombrías. 23 relatos sencillos que podrían haberle sucedido a cualquiera. Pero, ¿y si no nos dejamos engañar por las apariencias? ¿Y si nos atrevemos a descubrir lo extraordinario, lo memorable, lo maravilloso que se esconde, no tan ocultamente, en las vidas corrientes de estos personajes anónimos? Sí, ¿por qué no? Vamos a acercarnos a ellos, despacio, y admirarlos como si fueran héroes...
German Expressionism in the Audiovisual Culture / Der deutsche Expressionismus in den Audiovisuellen Medien
Zu Beginn des 20. Jahrhunderts machte zeitgleich mit dem Expressionismus eine neue Kunstform ihre ersten Schritte, die Bild, Sprache und Musik in sich vereinte: der Kinofilm. In Deutschland hatte die expressionistische Ästhetik einen enormen Einfluss auf dieses neue Medium, der sich in Filmen wie Das Cabinet des Dr. Caligari (1920), Der Golem (1920), Nosferatu (1922) oder Metropolis (1927) zeigt und bis heute seine Spuren hinterlassen hat. Dieser Band analysiert, wie Themen, Motive, Mythen und Ästhetik des expressionistischen Kinos der 1920er Jahre in den audiovisuellen Medien bis ins 21. Jahrhundert fortwirken und welchen Einfluss sie auf Myth Criticism oder auf populäre Gattungen wie Fantasy, Horror oder Science Fiction nach wie vor ausüben.
Bestseller – gestern und heute
What is the meaning of a "bestseller" for the history of literature? How do we defi ne it in the fi rst place, and what consequences does the success on the book market have for the literary evaluation of a text? What is the relationship between quantity and quality? Many literary scholars shy away from doing research on "bestsellers", but the question regarding the formation of a literary canon is closely connected with this issue. How do we evaluate the quality of a text in the fi rst place? The topic of the "bestseller" forces us to examine more closely the relationship between the reading public, literary scholarship, and the book market. On the one hand we have to examine the sales strategies for a book, on the other we have to consider what intentions a literary text might pursue fi rst of all, and how we as literary scholars have to engage with the text critically. From this results also the challenge to re-investigate the foundation of literary scholarship and to take note of premodern and modern "bestsellers" in their social-historical and mental-historical relevance, without ignoring the textual aesthetics.
From Page to Screen / Vom Buch zum Film
For a long time now, women have struggled for the vindication of their rights and for their visibility. This struggle may seem a story of success, maybe not complete or equal for all women, but at least one which slowly but surely carries with it the promise of equality for all women. However, a closer look reveals that in various fields of culture the representation of women frequently undergoes a manipulation which makes the image of women lose the intention initially attempted. This is often the case with adaptations of literary texts to the screen, when the initial literary message is changed because of, for example, marketing demands or some ideological stance. Rarely do we find the opposite case where the indifferent or emasculated original female characters are turned into guardians and/or apologists of feminine power. The present volume focuses precisely on the way in which the image of women is modified in films and TV series, when compared with the original literary texts.
The Power of a Woman's Voice in Medieval and Early Modern Literatures
The study takes the received view among scholars that women in the Middle Ages were faced with sustained misogyny and that their voices were seldom heard in public and subjects it to a critical analysis. The ten chapters deal with various aspects of the question, and the voices of a variety of authors - both female and male - are heard. The study opens with an enquiry into violence against women, including in texts by male writers (Hartmann von Aue, Gottfried von Straßburg, Wolfram von Eschenbach) which indeed describe instances of violence, but adopt an extremely critical stance towards them. It then proceeds to show how women were able to develop an independent identity in various genres ...
Vernacular and Latin Literary Discourses of the Muslim Other in Medieval Germany
Little attention has been focused the representation of Muslims in medieval Germany. Proceeding from a grounded use of contemporary cultural theory and close textual analysis, this study focuses Muslims in several core texts representing drama, epic, and lyric written by the most important writers of medieval Germany. Far from simply adding medieval Germany to the growing scholarly list of the 'pre-post-colonializing' European cultures, the study provides important new perspectives.
Sexuality in the Middle Ages and Early Modern Times
Sexuality is one of the most influential factors in human life. The responses to and reflections upon the manifestations of sexuality provide fascinating insights into fundamental aspects of medieval and early-modern culture. This interdisciplinary volume with articles written by social historians, literary historians, musicologists, art historians, and historians of religion and mental-ity demonstrates how fruitful collaborative efforts can be in the exploration of essential features of human society. Practically every aspect of culture both in the Middle Ages and the early modern age was influenced and determined by sexuality, which hardly ever surfaces simply characterized by prurient interests. The treatment of sexuality in literature, chronicles, music, art, legal documents, and in scientific texts illuminates central concerns, anxieties, tensions, needs, fears, and problems in human society throughout times.
