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Robert Levine examines the American romance in a new historical context. His book offers a fresh reading of the genre, establishing its importance to American culture between the founding of the Republic and the Civil War. With convincing historical and literary detail, Levine shows that anxieties about foreign elements--French revolutionaries, secret societies, Catholic immigrants, African slaves--are central to the fictional worlds of Brockden Brown, Cooper, Hawthorne and Melville. Ormond, The Bravo, The Blithedale Romance, and Benito Cereno are persuasively explicated by Levine to demonstrate that the romance dramatized the same conflicts and ideals that gave rise to the American Republic. Americans conceived "America" as a historical romance, and their romances dramatize the historical conditions of the culture. The fear that reputed conspiracies would subvert the order and integrity of the new nation were recurrent and widespread; Levine illuminates the influence of such fears on the works of major romance writers during this period.
Examines deconstruction, New Historicism, postcolonialism, and other contemporary theoretical movements in their historical contexts.
As the magazine of the Texas Exes, The Alcalde has united alumni and friends of The University of Texas at Austin for nearly 100 years. The Alcalde serves as an intellectual crossroads where UT's luminaries - artists, engineers, executives, musicians, attorneys, journalists, lawmakers, and professors among them - meet bimonthly to exchange ideas. Its pages also offer a place for Texas Exes to swap stories and share memories of Austin and their alma mater. The magazine's unique name is Spanish for "mayor" or "chief magistrate"; the nickname of the governor who signed UT into existence was "The Old Alcalde."
Is American vision implicitly possessive, as a generation of critics contends? By viewing the American poetic tradition through the prism of pragmatism, Elisa New contests this claim. A new reading of how poetry "sees," her work is a passionate defense of the power of the poem, the ethics of perception, and the broader possibilities of American sight. American poems see more fully, and less invasively, than accounts of American literature as an inscription of imperial national ideology would allow. Moreover, New argues, their ways of seeing draw on, and develop, a vigorous mode of national representation alternative to the appropriative sort found in the quintessential American genre of enco...
Through a careful examination of the work of the canonical nineteenth-century novelists, Mike Davis traces conspiracies and conspiratorial fantasy from one narrative site to another.
Reading for Realism presents a new approach to U.S. literary history that is based on the analysis of dominant reading practices rather than on the production of texts. Nancy Glazener's focus is the realist novel, the most influential literary form of the nineteenth and twentieth centuries--a form she contends was only made possible by changes in the expectations of readers about pleasure and literary value. By tracing readers' collaboration in the production of literary forms, Reading for Realism turns nineteenth-century controversies about the realist, romance, and sentimental novels into episodes in the history of readership. It also shows how works of fiction by Rebecca Harding Davis, He...
The research presented in this book is authored by scholars coming from as distant regions as South Africa, the United States of America, Great Britain, France, Italy, Belarus, the Balkans. Needless to say that one of the good things about this international cooperation is that owing to their different socio-cultural backgrounds, these scholars have contributed to producing an extremely varied picture of ways of approaching the challenge of a changing world. The papers on literature and culture collected in this book contribute a further element of rigour into the discussion of numerous and always varying and changing borders of convention in a literary text, literary genre, and literary the...
Heroes make the world much better and we need to exalt them. Yet how do we define heroism? This work offers ten criteria to consider. 26 pages.
Henry David Thoreau, one of America’s most prominent environmental writers, supported himself as a land surveyor for much of his life, parceling land that would be sold off to loggers. In the only study of its kind, Patrick Chura analyzes this seeming contradiction to show how the best surveyor in Concord combined civil engineering with civil disobedience. Placing Thoreau's surveying in historical context, Thoreau the Land Surveyor explains the cultural and ideological implications of surveying work in the mid-nineteenth century. Chura explains the ways that Thoreau's environmentalist disposition and philosophical convictions asserted themselves even as he reduced the land to measurable terms and acted as an agent for bringing it under proprietary control. He also describes in detail Thoreau's 1846 survey of Walden Pond. By identifying the origins of Walden in--of all places--surveying data, Chura re-creates a previously lost supporting manuscript of this American classic.
The Past Is Not Dead is a collection of twenty-one literary and historical essays that will mark the 50th anniversary of the Southern Quarterly, one of the oldest scholarly journals (founded in 1962) dedicated to southern studies. Like its companion volume, Personal Souths, The Past Is Not Dead features the best of the work published in the journal. Essays represent every decade of the journal's history, from the 1960s to the 2000s. Topics covered range from historical essays on the French and Indian War, the New Deal, and Emmett Till's influence on the Black Panther Party to literary figures including William Faulkner, Robert Penn Warren, Richard Wright, Eudora Welty and Carson McCullers. I...