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The Cambridge Companion to Duke Ellington
Duke Ellington is widely held to be the greatest jazz composer and one of the most significant cultural icons of the twentieth century. This comprehensive and accessible Companion is the first collection of essays to survey, in depth, Ellington's career, music, and place in popular culture. An international cast of authors includes renowned scholars, critics, composers, and jazz musicians. Organized in three parts, the Companion first sets Ellington's life and work in context, providing new information about his formative years, method of composing, interactions with other musicians, and activities abroad; its second part gives a complete artistic biography of Ellington; and the final section is a series of specific musical studies, including chapters on Ellington and song-writing, the jazz piano, descriptive music, and the blues. Featuring a chronology of the composer's life and major recordings, this book is essential reading for anyone with an interest in Ellington's enduring artistic legacy.
BAG
From 1968 to 1972, St. Louis was home to the Black Artists' Group (BAG), a seminal arts collective that nurtured African American experimentalists involved with theater, visual arts, dance, poetry, and jazz. Inspired by the reinvigorated black cultural nationalism of the 1960s, artistic collectives had sprung up around the country in a diffuse outgrowth known as the Black Arts Movement. These impulses resonated with BAG's founders, who sought to raise black consciousness and explore the far reaches of interdisciplinary performance--all while struggling to carve out a place within the context of St. Louis history and culture.A generation of innovative artists--Julius Hemphill, Oliver Lake, an...
A Place Apart
The Williamson Road area, which was annexed by the city of Roanoke in 1949, was originally a part of Botetourt County and thereafter of the northern part of Roanoke County. "A Place Apart" traces the history, places, and families of the Williamson Road. The book begins with various sketches of Roanoke Valley pioneers and early land owners. The second part of the volume continues with sketches of families that arrived during the late 18th or early 19th century, including Barren, Bushong, Campbell, Cannaday, Fellers, Garst, Harshbarger, Huntingdon, Nelms, Nininger, Oliver, Petty, Read, Rudd, Stokes, Watts, and Williamson. Community leaders associated with the Roanoke Valley's recent history are treated elsewhere in the book.
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Burden
Evan Dubin is a busy young man. A senior in high school, he is attempting to defend his state wrestling championship in one weight class, while taking on his boyhood rival in another weight class. He discovers the love of his life, only after she starts dating his best friend. Then his brother, nine years his senior, asks him to keep an unthinkable secret from his family, straining an already tenuous sibling relationship and tearing him apart inside. How Evan deals with all of these stressful occurrences will determine his future for years to come.
Annual Review of Jazz Studies 14
The Annual Review of Jazz Studies (ARJS) is a journal providing a forum for the ever expanding range and depth of jazz scholarship, from technical analyses to oral history to cultural interpretation. Addressed to specialists and fans alike, all volumes include feature articles, book reviews, and unpublished photographs. This 14th issue contains four intriguing articles that to some degree contravene accepted precepts of jazz orthodoxy. John Howland traces the connection between Duke Ellington's extended works and the "symphonic jazz" model of the 1920s as exemplified by Paul Whiteman and his chief arranger, Ferde Grof . Horace J. Maxile Jr. takes an unfashionably broad perspective of Charles...
