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Callas: Portrait of a Prima Donna
Maria Callas was the most glamorous, idolized and criticized operatic figure of our time. Loved or hated, no singer inspired so much discussion, nor exercised as much power at the box office as the “ugly duckling” who triumphed over a bitter childhood to become the Queen of Opera. Written in 1960, this is a portrait of the artist at the height of her fame, and includes an epilogue that extends the story to Callas’ death in 1977 and her posthumous glory. “... a remarkably balanced picture which goes some way towards explaining the burning, never contented determination of the woman... wonderful array of photographs...” — The Guardian “As an artist Maria Callas is greater than the sum of her abilities... Mr. Jellinek has written a very sensible and informative account of her career.” — The New Statesman
Maria Meneghini Callas
Penetrating, sometimes controversial insights into her genius, commenting on her choice of repertory, and speculating about the reasons behind the concert cancellations that brought her so much publicity. The book also features a discography, a complete list of Callas's performances, and 31 photographs, many previously unknown. With enthusiasm and vitality, Michael Scott has brilliantly captured Callas's life and artistic milieu in a fascinating exploration of one of.
The Callas Imprint: A Centennial Biography
Coating opera's roles in opulence, Maria Callas (1923-1977) is a lyrical enigma. Seductress, villainess, and victor, queen and crouching slave, she is a gallery of guises instrumentalists would kill to engineer… made by a single voice. But while her craftsmanship has stood the test of time, Callas’ image has contested defamation at the hands of saboteurs of beauty. Twelve years in the making, this voluminous labour of love explores the singer with the reverence she dealt her heroines. The Callas Imprint: A Centennial Biography reaps never-before-seen correspondence and archival documents worldwide to illustrate the complex of their multi-faceted creator - closing in on her self-contradictions, self-descriptions, attitudes and habits with empathic scrutiny. It swivels readers through the singer's on- and offstage scenes and flux of fears and dreams... the double life of all performers. In its unveiling of the everyday it rolls a vivid film reel starring friends and foes and nobodies: vignettes that make up life. It's verity. It's meritable storytelling. Not unlike the Callas art.
The Funniest People in Books and Music
"The Funniest People Who Write Books and Make Music" contains such anecdotes as these: When Peg Bracken started writing, she would often type the first page of a famous short story for inspiration. Often, she discovered that the page did not look as impressive typed on a sheet of paper as it did printed on a page in a book, so sometimes she would imitate her English professor and write on the sheet of paper: 'You can do better than this, Mr. Faulkner." Andri Previn played jazz with a couple of American-African musicians. Afterwards, he went into a diner, where two white men asked him, 'Why the hell don't you play with your own kind?" Mr. Previn replied, 'To tell you the truth, I wanted to, but I couldn't find two other Jews who swing." Soccer and Cup Final day are important in England. Once, the noted conductor Sir Thomas Beecham held a rehearsal on Cup Final day. The rehearsal had been going on for only a short time when a giant television was delivered to the rehearsal area. Sir Thomas then said, 'Now, gentlemen, let's get down to the most important business of the day-watching the match."
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Maria Callas
For millions of people, the great soprano Maria Callas (1923-1977) remains the focus of such unparalleled fascination that there is still no higher praise for singers than "...the best since Callas." In this biography, Callas' career is brought brilliantly to life, from her transformation from a chubby, painfully shy girl into a magnificent, celebrated soprano, to her conflict with her larger-than-life image. Huffington makes this struggle, which was at the center of her life, also the center of the biography. Using a wealth of previously unpublished material and numerous first-hand interviews, Huffington documents Callas' interminable conflict with her mother, her deeply emotional relationship with her voice, the gradual unraveling of her first marriage, her passionate love affair with of Aristotle Onassis, her agony and humiliation at his leaving her, and her secret abortion.
Diva - A Vida Oculta de Maria Callas
QUEM FOI A MULHER POR DETRÁS DA DIVA? Considerada a maior diva de todos os tempos, a carreira excecional de Maria Callas contrasta com uma vida privada de abuso e de submissão, e com a sua impetuosa relação com Onassis, o empresário grego que a deixou por Jackie Kennedy. Apesar da fachada pública, pouco se conhece da mulher por detrás da diva. Nascida nos Estados Unidos mas criada na Grécia, Maria Callas foi educada por uma mãe que abusava dela emocionalmente e que a forçava a cantar para a família e para os soldados nazis a troco de dinheiro. Elogiada pela crítica, pelo público e por Hollywood, ela lutou contra o sexismo para chegar ao topo, mas nunca conseguiu alcançar o que mais queria — uma vida privada feliz. Em Diva, Lyndsy Spence revela documentos inéditos que levantam o véu sobre a vida difícil e incompreendida da maior artista lírica do século XX.
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