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This book presents an innovative approach to public archaeology in a rural community, which has had powerful results in terms of empowering a village community in Crete to become long-term guardians of their cultural heritage. Highlighting the theoretical and local contexts of the Philioremos Peak Sanctuary Public Archeology Project, this book explores the methodology and the project outcomes, and assesses best practice in the field of public archaeology within a rural community. As well as expanding the research on Minoan peak sanctuaries, the volume contributes to a greater understanding of how rural communities can be successfully engaged in the management of heritage, and is relevant to archaeologists and other heritage professionals wishing to understand the latest developments in public archaeology.
A wide spectrum of scholars, historians, art historians, anthropologists, students of performance, students of religion, archaeologists, cognitive scientists, and linguists were all asked to think and comment on how ritual can be traced in archaeology and which ways ritual research can go in that discipline. The product is a fairly accurate representation of research on ritual and the archaeology of ritual: scholars from various disciplines, backgrounds and agendas, arguing mostly in the most logical fashion, yet with little agreement between them. So this book should not be seen as presenting one unified attitude towards ritual and its study in archaeology. It should rather be seen as a reflection of what the discourse in the archaeology of ritual is today. The outcome has been extremely thought-provoking, often controversial, but always of extremely high quality.
Minoan archaeology and the so-called "peak sanctuaries" have been the object of much interest and speculation. The author assesses old and new ideas about these sanctuaries, testing and enriching them by connecting them with extant material and underpinning with a solid theoretical basis.
Archaeologists have been increasingly turning their attention to the study of religion, but the field so far has lacked a cross-cultural overview. This text challenges archaeological conventions by refusing to respect the geographic and temporal boundaries with which archaeologists too often define their field. Worldwide in range and comparative in perspective, this exploration is guided by several fundamental questions: how do we recognize religion in the archaeological record? When should we recognize the first activities we call religious? What distinguishes a world religion? How can we see the formations of modern world religions in the archaeological record? An Archaeology of Religion begins with the first glimmers of what might be considered religious expression in the Paleolithic period and concludes with the complexities of world religions today. This book is an ambitious attempt to survey how scholars approach the identification of religious sites and practices in the archaeological record.
Minoan archaeology and the so-called "peak sanctuaries" have been the object of much interest and speculation. The author assesses old and new ideas about these sanctuaries, testing and enriching them by connecting them with extant material and underpinning with a solid theoretical basis.
This special issue publishes most of the contributions of a three-day workshop of the Käte Hamburger Kolleg "Dynamics in the History of Religions between Asia and Europe" held on July 2019 at the Center for Religious Studies, Ruhr University Bochum. It seeks to explore and contextualize the configuration of the varied desert cultic practices from the southern Levant and northern Arabia during the Late Bronze/Iron Ages that may have contributed to the emergence of the Yahwistic cult. By this it raises also crucial questions on the early history of the Israelite and Judean religions in the first millennium BCE. Recent archaeological excavations in the Negev, southern Transjordan and Hejaz and...
The remains of hunter-gatherer groups are the most commonly discovered archaeological resources in the world, and their study constitutes much of the archaeological research done in North America. In spite of paradigm-shifting discoveries elsewhere in the world that may indicate that hunter-gatherer societies were more complex than simple remnants of a prehistoric past, North American archaeology by and large hasn’t embraced these theories, instead maintaining its general neoevolutionary track. This book will change that. Combining the latest empirical studies of archaeological practice with the latest conceptual tools of anthropological and historical theory, this volume seeks to set a ne...
‘Ritual Failure’ is a new concept in archaeology adopted from the discipline of anthropology. Resilient religious systems disappearing, strict believers and faithful practitioners not performing their rites, entire societies changing their customs: how does a religious ritual system transform, change or disappear, leaving only traces of its past glory? Do societies change and then their ritual? Or do customs change first, in turn provoking wider cultural shifts in society? Archaeology possesses the tools and methodologies to explore these questions over the long term; from the emergence of a system, to its peak, and then its decay and disappearance, and in relation to wider social and ch...
Kathak, the classical dance of North India, combines virtuosic footwork and dazzling spins with subtle pantomime and soft gestures. As a global practice and one of India's cultural markers, kathak dance is often presented as heir to an ancient Hindu devotional tradition in which men called Kathakas danced and told stories in temples. The dance's repertoire and movement vocabulary, however, tell a different story of syncretic origins and hybrid history - it is a dance that is both Muslim and Hindu, both devotional and entertaining, and both male and female. Kathak's multiple roots can be found in rural theatre, embodied rhythmic repertoire, and courtesan performance practice, and its history ...
The Oxford Handbook of Dance and Reenactment investigates new forms of choreographic dramaturgy and interpretation inherent. Joining junior and senior scholars as well as practitioners in the field, the handbook shows how the recovery of past dances has come to constitute a new branch of contemporary choreographic activity.