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Congo Square
Comprehensive study of one of the New World's most sacred sites of African American memory and community.
The Battle of New Orleans
"Old Jordan" tells how, when he was a boy, he used his drum to summon General Andrew Jackson's troops into action in the 1815 Battle of New Orleans.
Hush Harbor
In the early nineteenth century, enslaved Africans are not allowed to gather together in groups. For Simmy and his family, that means they must worship in secret. If they are caught, the punishment will be terrible. Simmy's job is to watch for danger while the others pray and sing as the Spirit moves them. Will he be able to keep the hush harbor safe?
Come Sunday
Come Sunday: A Young Reader's History of Congo Square provides an engaging account of Congo Square and the African presence in New Orleans through culturally relevant content paired with over 130 images and primary documents. These sources provide close-up views of life during the time of the Antebellum Sunday gatherings in Congo Square. Readers are able to analyze, compare, think critically, and discuss content, which develops a deeper understanding of history and how it impacts the world today. Book jacket.
Dancing in the Streets
"Explores the history, social ties, fashion, dance, and music of second lines, participatory parades put on by New Orleans's network of social aid and pleasure clubs. "Dancing in the Streets" brings together historical photographs with the work of ten contemporary second line photographers, profiles all clubs active today, and explores the effect of the COVID-19 pandemic on the tradition"--
Freedom in Congo Square
Chosen as a New York Times Best Illustrated Book of 2016, this poetic, nonfiction story about a little-known piece of African American history captures a human's capacity to find hope and joy in difficult circumstances and demonstrates how New Orleans' Congo Square was truly freedom's heart. Mondays, there were hogs to slop, mules to train, and logs to chop. Slavery was no ways fair. Six more days to Congo Square. As slaves relentlessly toiled in an unjust system in 19th century Louisiana, they all counted down the days until Sunday, when at least for half a day they were briefly able to congregate in Congo Square in New Orleans. Here they were free to set up an open market, sing, dance, and...
A Bus of Our Own
Set in the South of the 1950s, this picture book depicts the dramatic story of young Mable Jean, who wants to go to school, but must walk five miles to get there. Mable Jean asks her parents why the black children don't have a bus. Full color.
Congo Square in New Orleans
A detailed history of a New Orleans landmark. Congo Square is an iconic location in New Orleans culture, filled with the echoes of jazz and the footsteps of modern dance. Brimming with the rich history of the city, this auspicious landmark traces its origins back to the 1740s. A popular gathering place for African-Americans, the square hosted public markets, musical events, and even the Congo Circus throughout its history. Johnson's detailed analysis of the development of the landmark places the deep-set culture of both the African-American community and the roots of New Orleans music firmly in the heart of Congo Square.
New Orleans and the World
Since its foundation in 1718, New Orleans has captured the imagination of people from around the world. Exiled immigrants, creative dreamers, fiery revolutionaries, and joyful vacationers journey to the city to experience its intoxicating mixture of cultures. The Crescent City is both cosmopolitan and distinctly American, a gumbo pot filled with ingredients from Africa, the Caribbean, and Europe that feeds new arrivals from every corner of the earth. New Orleans & The World: The Tricentennial Anthology commemorates the city¿s 300th anniversary by exploring the roles New Orleans has played on the global stage, and the ways that events and people from outside the city have fundamentally shaped its dynamic culture.
I Feel To Believe
For twenty years, starting in 1999, Jarvis DeBerry's New Orleans Times-Picayune column was the place where the city got its most honest look at itself: the good, the bad, the wonderful, and yes, also the weird. And the city took note. DeBerry's columns inspired letters to the editor, water cooler conversations, city council considerations, and barbershop pontification. I Feel To Believe collects his best columns, documenting two decades of constancy and upheaval, loss, racial injustice, and class strife. In a world of tradition in which lifelong New Orleanians hold strongly that one has to be us to truly see us, DeBerry arrived and began his journey. Generations from now, his readers will receive a deep look at the Crescent City before, during, and after Katrina. I Feel To Believe is all at once an accounting, a reckoning, a celebration.
