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"My Antonia(1918) depicts the pioneering period of European settlement on the tall-grass prairie of the American midwest, with its beautiful yet terrifying landscape, rich ethnic mix of immigrants and native-born Americans, and communities who share life's joys and sorrows"-- back cover.
In Farm, Joyce Kinkead, Evelyn Funda, and Lynne S. McNeill explore the culture of agriculture through a diverse and multicultural collection of fiction, poetry, essays, art, recipes, and folklore. This reader views farming through a variety of lenses, asking students to consider what farms, farming, and farmers mean, and have meant, to culture in the United States. In the text, readers are guided through the Jeffersonian idealism of the yeoman farmer (“cultivators of the earth are the chosen people of God”) to literature of the nineteenth and twentieth centuries (Thoreau’s “The Bean-Field,” Cather’s prairie trilogy, Steinbeck’s The Grapes of Wrath, and Carpenter’s Farm City)....
This book explores the relevance of institutional mission to writing program administration and writing center direction. It helps WPAs and writing center directors understand the challenges and opportunities mission can pose to their work. It also examines ways WPAs and writing center directors can work with and against mission statements and legacy practices to do their best work.
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Our sense of place is permeated by ghosts from the past. In GhostWest, Ann Ronald takes the reader to historical sites where something once happened. Using the metaphor of hauntings, she reflects on how western history, literature, and lore continue to shape our visceral impressions of these sites. In chapters both lyrical and thoughtful, passionate and humorous, GhostWest covers sites in seventeen western states, including the Little Bighorn Battlefield in Montana, Willa Cather’s Nebraska prairies, and the Murrah Building bombing site in Oklahoma. Through these settings and their phantoms, the author mulls questions of why we find such ambience and artifacts so compelling. Volume 7 in the Literature of the American West series
Drawing on newly uncovered archives, The Only Wonderful Things offers a groundbreaking look at American novelist Willa Cather's creative process by arguing that the writer's life partner, magazine editor Edith Lewis, had a crucial impact on Cather's literary work.
“I called the bishop of the local ward, and he put the date of your move into the church bulletin, and these gentlemen came to help,” Brady, the real estate agent, says. Welcome to Wellsville, Utah. Good-bye, L.A. Liz Stephens has come from Los Angeles to Utah for graduate school, and her brief stint working on a Taco Bell commercial is not much in the way of preparation for taking on the real West. In The Days Are Gods Stephens chronicles a move that is far more than a shift in geographical coordinates. With husband and dogs in tow, she searches for an authentic connection to this new community, all the while knowing that as an outsider she will never really belong. And yet precisely as an outsider, Stephens has a unique perspective on belonging, one that colors her accounts of attending her first small-town rodeo, living in the thick of a thriving Latter Day Saints religious community, raising goats in her laundry room, and observing the town’s racialized Founder’s Day battle reenactments. In her frank and particular way, Stephens shows how the culture of memory, as our inheritance, offers a balance to our brief attention spans and our brief lives.
Willa Cather’s third novel, The Song of the Lark, depicts the growth of an artist, singer Thea Kronborg. In creating Thea’s character, Cather was inspired by the Swedish-born immigrant and renowned Wagnerian soprano Olive Fremstad, although Thea’s early life also has much in common with Cather’s own. Set from 1885 to 1909, the novel traces Thea’s long journey from her fictional hometown of Moonstone, Colorado, to her source of inspiration in the Southwest, and to New York and the Metropolitan Opera House. As she makes her own way in the world from an unlikely background, Thea distills all her experiences and relationships into the power and passion of her singing, despite the cost....
Uncovers how a material object - the civilian gas mask - can reveal the power and limits of the modern state facing total war.
Over the five decades of her writing career Willa Cather responded to, and entered into dialogue with, shifts in the terrain of American life. These cultural encounters informed her work as much as the historical past in which much of her writing is based. Cather was a multifaceted cultural critic, immersing herself in the arts, broadly defined: theater and opera, art, narrative, craft production. Willa Cather and the Arts shows that Cather repeatedly engaged with multiple forms of art, and that even when writing about the past she was often addressing contemporary questions. The essays in this volume are informed by new modes of contextualization, including the increasingly popular view of ...