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Evelyn Page
Catalogue of an exhibition held at the Robert McDougall Art Gallery, Christchurch, N.Z. in 1986. Contains biographical information.
Dear Evelyn
WINNER OF THE 2018 ROGERS WRITERS' TRUST FICTION PRIZE • WINNER OF THE 2019 CITY OF VICTORIA BUTLER BOOK PRIZE • A 2018 KIRKUS BEST BOOK OF THE YEAR • A GLOBE AND MAIL BEST BOOK OF 2018 • A TORONTO STAR TOP TEN BOOK OF THE YEAR • A WINNIPEG FREE PRESS FAVOURITE BOOK OFTHE YEAR • A QUILL & QUIRE BEST BOOK OF 2018 Inspired by the author’s family history, this forthright love story unflinchingly portrays the trials and tensions of a lifelong marriage. Born between the wars on a working-class street in London, Harry Miles wins a scholarship to an exclusive school and with it a chance to escape his station. Instead he falls in love with poetry, and though his teachers encourage him ...
Evelyn Page Seven Decades
Catalogue of an exhibition held at the Robert McDougall Art Gallery, Christchurch, N.Z. in 1986. Contains biographical information.
Holland and Its Neighbors
Holland and Its Neighbors offers a glimpse of bygone times in a rural area of northeastern Vermont along the Canadian border. Holland is typical of many rural small towns. Its neighboring Canadian towns and Norton, Derby, Morgan, and Charleston, Vermont, have familial, geographical, and historical connections that give the area a unique and cohesive culture. Mills and lumber-related businesses were established early, and as land was cleared, farming also became an important way of life. Holland and Its Neighbors includes photographs of loggers and mill workers, while images of horse-drawn equipment and horse-powered machinery illustrate hard work and long hours on hardscrabble farms. Interesting community characters such as Big Jack, peddler Jabez, fortuneteller Marie, hermit Scotty, and Haw Tabor are also pictured.
Cat's Paw (An American Mystery Classic)
When a wealthy bachelor is murdered in his baroque Boston mansion, a bizarre clue holds the key to whodunnit Martin Greenough’s walled-off mansion is the last remaining holdout in the Boston parkland known as the Fenway—and the fact that it eluded condemnation by the city is a testament to the elderly bachelor’s great wealth. Childless and nearing the end of his life, he surrounds himself with only his cat, his servants, and a friend, Mrs. Warden—to say nothing of the circle of extended family members whose lives he both subsidizes and rules from afar, the nieces and nephews who all seem to be more fond of Uncle Mart’s money than they are of his character. On the eve of his birthda...
The Big Smoke
'Unlike in Europe, North America, Australia and elsewhere, urban history has never been sustained as a distinct field of scholarship in New Zealand. This is surprising, considering that since the early twentieth century most New Zealanders have lived in towns and cities – 86 per cent were urban in 2014. Yet we know surprisingly little about these urban dwellers and the spaces in which they lived.' The pursuit of city life is one of the most important untold stories of New Zealand. The Big Smoke is the first comprehensive history to tell this story, presenting a dynamic and highly illustrated account of city life from 1840 to 1920. It explores such questions as: what did cities look like an...
White Lies
The narrative of facts—probably best exemplified in the literature of exploration—was an immensely popular genre in mid-nineteenth-century America. In White Lies, John Samson offers full contextual readings of Melville's five major narratives of facts—Typee, Omoo, Redburn, White-Jacket, and Israel Potter. Samson demonstrates that in these novels Melville critically rewrote the sources on which he drew, in effect making the genre itself a subject of his writing. In his introduction, Samson discusses Melville's knowledge of the genre and its ideology. He then reads each novel in terms of Melville's confrontation with its sources. In each, Samson says, an unreliable narrator represents pa...
Iphigenia in Tauris
Ralph Vaughan Williams’ incidental music for Gilbert Murray’s English translation of Euripides’ Iphigenia in Tauris is edited and arranged for orchestra by Alan Tongue. Vaughan Williams was brought into the production of three Greek plays by the dancer Isadora Duncan, with the public performance taking place at London’s Royal Court Theatre on Friday 31 May 1912. A preview of the production, appearing in The Globe, remarked of Vaughan Williams’ musical settings: “they are an attempt at something new, and something which is neither German nor French. This music is no experiment in style. It would seem, rather, as though the composer had disclaimed all styles and all schools, and found direct inspiration in the material of the poet’s inspiration, and the result is something of undeniable beauty.”
