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How to Read a Modern Painting
Modern art, filled with complex themes and subtle characteristics, is a wonder to view, but can be intimidating for the casual observer to comprehend. In this accessible, practical guide, author and instructor Jon Thompson explores more than 200 works, helping readers to unlock each painting's meaning. Beginning with the Barbizon school and the Realist movement of the mid-19th century and continuing through the 1980s avant-garde, artists including Bonnard, Basquiat, Van Gogh, Picasso, Degas, Warhol, and Whistler are featured. Thompson describes each artist's use of media and symbolism and provides insightful biographical information. A natural companion to Abrams' "How to Read a Painting," this book is a vibrant, informative trip through one of art history's most compelling periods.
Lowry and the Painting of Modern Life
This is a timely study of the life and work of L.S. Lowry, as well as his contribution to the development of 20th-century British art.
Painting the Modern Garden: Monet to Matisse
"Exhibition organized by the Cleveland Museum of Art and the Royal Academy of Arts, London."
Modern Painting and the Northern Romantic Tradition
A view of artistic development which argues that the Paris-orientated orthodoxy of modern art does not allow for achievements which, in the eyes of the author, can be fairly called major. Other work by the author includes The Romantic Child, and The Jeff Koons Handbook.
Painting Women
Patricia Phillippy's analysis of the representation of women in literature and visual arts revolves around multiple early modern senses of 'painting'. She focuses on women who paint themselves with cosmetics, women who paint on canvas and women and men who paint women, either with pigment or with words.
Painting as a Modern Art in Early Renaissance Italy
"Painting as a Modern Art in Early Renaissance Italy" reconstructs a historical concept of modern art on the basis of sources written between the 1390s and 1440s. The central point of reference in these sources was Giotto, the early fourteenth-century painter who, as one writer put it in 1442, "first modernized (modernizavit) ancient and mosaic figures." The word "modern" was used in a wide variety of ways throughout this period, some quite polemical, others rather prosaic. To call art (ars) modern, however, was to invoke a stable, well-defined concept whose roots ran deep in late-medieval intellectual life. According to this concept, to make an art modern was to set it on a new foundation i...
Gustav Klimt
"Gustav Klimt (1862-1918) remains one of the most popular artists of the early 20th century. Published to accompany a major exhibition at Tate Liverpool, a highlight of that city's 2008 Capital of Culture celebrations and the first such show in the UK, Gustav Klimt explores the life and work of an intriguing figure at the heart of the cultural transformation of Vienna around 1900." "Central to the book is the first thorough examination of the relationship between Klimt's paintings and the work of his close friend the architect and designer Josef Hoffmann. Reaching beyond the two-dimensional arts, it hails the advent of an all-inclusive design culture that embraced interiors, furniture, cloth...
The Painting of Modern Life
Text by Ralph Rugoff, Kaja Silverman, Barry Schwabsky, Carolyn Christov-Bakargiev, Martin Herbert.
Tate Kids Modern Art Activity Book
You'll be amazed, surprised, and maybe even confused by some of the modern artworks you'll find in this book. There's a lobster telephone, a painting made of food, a giant snail and even an old toilet! Find out more about what the artists were thinking and have a go at creating your own off-beat artworks.
The Painting of Modern Life
From T.J. Clark comes this provocative study of the origins of modern art in the painting of Parisian life by Edouard Manet and his followers. The Paris of the 1860s and 1870s was a brand-new city, recently adorned with boulevards, cafes, parks, Great Exhibitions, and suburban pleasure grounds-the birthplace of the habits of commerce and leisure that we ourselves know as "modern life." A new kind of culture quickly developed in this remade metropolis, sights and spectacles avidly appropriated by a new kind of "consumer": clerks and shopgirls, neither working class nor bourgeois, inventing their own social position in a system profoundly altered by their very existence. Emancipated and rootle...
