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Whether celebrating Hogarth or savaging Hollywood, mocking modern manners or defending traditional English architecture, inviting readers to 'come inside' the Catholic Church or expressing his contempt for modish Marxism and American-style religion, Evelyn Waugh's journalism is sparkling, sometimes vitriolic and always full of good sense. In this wonderful selection he explores his Oxford youth, his unexpected conversion, his literary enthusiasms (from P. G. Wodehouse to Graham Greene) and the perils of basing fictional characters on real people. Decades after their publication, these pieces still retain their capacity to delight, to surprise and to shock.
A Handful of Mischief: New Essays on Evelyn Waugh is a collection of essays based on presentations at the Evelyn Waugh Centenary Conference at Hertford College, Oxford, in 2003. There are twelve different essays by authors from various countries, including Australia, Canada, Russia, the United Kingdom, and the United States. The essays cover a wide range of material, from Waugh's early novel Black Mischief (1932) to his last travel book, A Tourist in Africa (1960). In addition to essays on well-known novels such as Scoop (1938), Brideshead Revisited (1945), and Helena (1950), the collection includes papers on Waugh's library, his changing conception of Oxford, his writing about religious conversion, and his role in the British evacuation of Crete in 1941. The authors approach Waugh and his work in various ways, and innovative essays explore sovereignty, post-colonialism, and adaptation for radio. Contributors: Baron Alder, Peter G. Christensen, Robert Murray Davis, Marcel DeCoste, Patrick Denman Flanery, Donat Gallagher, Irina Kabanova, Dan S. Kostopulos, Lewis MacLeod, John W. Mahon, Richard W. Oram, Ann Pasternak Slater, John Howard Wilson.
'[ The Brideshead Generation] has both style and substance, and is above all an enjoyable companion. It has a wildly amusing cast, here controlled by a skilful director.' Evening Standard 'Jovial and entertaining, full of the sort of stories that your friends will tell you if you don't read it before them.' Independent 'Carpenter has read widely and has collected an enormous fund of entertaining stories and facts.' Sunday Telegraph 'Hauntingly sad and wonderfully funny and by far the best thing Humphrey Carpenter has done.' Fiona MacCarthy, The Times
Waugh's life and his literary life exist in fascinating, dynamic relationship. Virtually all of his fiction was autobiographical, yet he maintained that his novels were 'objects', unrelated to the life of their author. This study traces the shifting relationship of ascertainable fact and imaginative fiction throughout Waugh's career, focusing on the endless negotiation he conducted between life and art, and on why, from being author of the anarchic, hilarious Decline and Fall , he transformed himself into the author of the romantic, eschatological Brideshead Revisited .
'Brisk, lively and wonderfully entertaining' John Banville 'Excellent ... read this book' Literary Review 'The best single-volume life of the author available' Irish Times The much mythologised author of Decline and Fall, A Handful of Dust and Brideshead Revisited was hailed by Graham Greene as 'the greatest novelist of my generation', yet reckoned by Hilaire Belloc to have been possessed by the devil. Evelyn Waugh's literary reputation has continued to rise since Greene's assessment in 1966. Fifty years after his death, Philip Eade draws on extensive unpublished sources to paint a fresh and compelling portrait of this endlessly fascinating man, telling the full story of his dramatic, colourful and frequently bizarre life.
One of the foremost writers of our times, Evelyn Waugh was also one of its most extraordinary eccentrics. Here in intimate detail are the collapse of Waugh's first marriage and his conversion to the Catholic Church, his second marriage and the social milieu satirized in such classics as Brideshead Revisited and A Handful of Dust. Photos.
Oxford held a special place in Evelyn Waugh's imagination. So formative were his Oxford years that the city never left him, appearing again and again in his novels in various forms. This book explores in rich visual detail the abiding importance of Oxford as both location and experience in his literary and visual works. Drawing on specially commissioned illustrations and previously unpublished photographic material, it provides a critically robust assessment of Waugh's engagement with Oxford over the course of his literary career.Following a brief overview of Waugh's life and work, subsequent chapters look at the prose and graphic art Waugh produced as an undergraduate together with Oxford's...
Studie over diverse werken van de Engelse auteur (1903-1966)