You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Theater and Cultural Politics for a New World presents a radical re-examination of the ways in which demographic shifts will impact theater and performance culture in the twenty-first century. Editor Chinua Thelwell brings together the revealing insights of artists, scholars, and organizers to produce a unique intersectional conversation about the transformative potential of theater. Opening with a case study of the New WORLD Theater and moving on to a fascinating range of essays, the book looks at five main themes: Changing demographics Future aesthetics Making institutional space Critical multiculturalism Polyculturalism
A fully revised & updated handbook for teachers and administrators on creating just and equitable learning environments for students; building and maintaining healthy relationships; healing harm and transforming conflict. Much more than a response to harm, restorative justice nurtures relational, interconnected school cultures. The wisdom embedded within its principles and practices is being welcomed at a time when exclusionary discipline and zero tolerance policies are recognized as perpetuating student apathy, disproportionality, and the school-to-prison pipeline. Relying on the wisdom of early proponents of restorative justice, the daily experiences of educators, and the authors’ extens...
The rise of black radicalism in the 1960s was a result of both the successes and the failures of the civil rights movement. The movement's victories were inspirational, but its failures to bring about structural political and economic change pushed many to look elsewhere for new strategies. During this era of intellectual ferment, the writers, editors, and activists behind the monthly magazine Liberator (1960–71) were essential contributors to the debate. In the first full-length history of the organization that produced the magazine, Christopher M. Tinson locates the Liberator as a touchstone of U.S.-based black radical thought and organizing in the 1960s. Combining radical journalism wit...
None
Uma tessitura temporal (2008 -2010) afetiva de impressões sobre o artista piauiense Marcelo Evelin e suas composições coreográficas em dança, potencializando discursos em fluxos contaminatórios, que provém da diversidade das informações contidas em seu corpo e atualizando-se constantemente.
Until they were expelled from power thirty years ago, in early 1986, the late dictator Ferdinand and Imelda Marcos (she, the Shoe Queen) jointly ruled the Philippines with impunity for 20+ years. They were an efficient cash-and-carry team—while he raided the national till, she shopped 'til she dropped. In the words of the US congressman investigating them, "Compared to her (Imelda), Marie Antoinette was a bag lady," . . . while Ferdinand made master embezzler Bernie Madoff look like a rank amateur. With the passing of 30 years, this book becomes a full accounting of the rapacious and avaricious rule the pair enjoyed—how they hoodwinked an unsuspecting people, and the truth behind many of the dirty tricks they employed revealed at last. The present is an opportune time to take stock, especially as their only son and heir, Ferdinand, Jr., and others of his ilk, launches a comeback attempt for national office in this year's Philippine elections, and trying to re-fabricate history in the process. This book will set the record straight.