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Romantic Futures
"Romantic Futures is a collection which explores the significance of futurity in British Romanticism from a comparative perspective in three defining manifestations: the future as conscious legacy, by which is meant both influences or continuities and the (anticipations of) impact on the future; the future as revealed by prophecy, whether via religious figures or superstitions; and, a meditation on the temporality of the future, or the future as a concept. The book brings together a wide range of theoretical and disciplinary perspectives: from utopian studies, history, religion and cultural theory to future studies, neuroscience, video games and art history. Aiming to increase and diversify current critical engagement and highlight the contemporary relevance of the Romantics' multivalent preoccupation with the future, this collection renews the dialogue between Romanticism and our critical relation to its contemporaneity, especially as it speaks to current understandings of the future in the sciences, arts and humanities"--
The Poetics of the Kunstlerinroman and the Aesthetics of the Sublime
This title was first published in 2002: This study of the poetics of the Romantic K nstlerinroman (female artist novel) brings to the foreground its salient metafictional discourse on the aesthetics of the sublime, ever since its beginnings in Madame de Sta l's "Corinne ou L'Italie". The book presents detailed readings of H.D.'s "Palimpsest", Christa Wolf's "Nachdenken ber Christa T." and Marguerite Duras' "L'Amant" in a dialogue with Kant, Freud, Lacan, Cixous, Derrida and other philosophers, theorists, literary critics and writers. Each novel is explored in terms of its generic affiliations, its reflections on the role of literature and the writer in society and its aesthetic discourse on the sublime. The book stages an inquiry into the relation between genre, the sublime, gender and literary history from which emerge insights into the conditions of subjectivity underlying the experience and communication of the sublime.
Romantic Futures
Romantic Futures is a collection which explores the significance of futurity in British Romanticism from a comparative perspective in three defining manifestations: the future as conscious legacy, by which is meant both influences or continuities and the (anticipations of) impact on the future; the future as revealed by prophecy, whether via religious figures or superstitions; and a meditation on the temporality of the future, or the future as a concept. The book brings together a wide range of theoretical and disciplinary perspectives: from utopian studies, history, religion, and cultural theory to future studies, neuroscience, video games, and art history. Aiming to increase and diversify current critical engagement and highlight the contemporary relevance of the Romantics’ multivalent preoccupation with the future, this collection renews the dialogue between Romanticism and our critical relation to its contemporaneity, especially as it speaks to current understandings of the future in the sciences, arts, and humanities.
Realpoetik
Realpoetik considers the relationship between literary and political ideas in the thought of key European writers of the Romantic period examining how the main historical events of the period encouraged a re-imagining of the political shape of Europe which also changed the way we think about imagination itself.
Nowhere Somewhere
None
Robert Pollok’s The Course of Time and Literary Theodicy in the Romantic Age
This book explores the contexts and reception history of Robert Pollok’s religious epic The Course of Time (1827), one of the best- selling long poems of the nineteenth century, which has been almost entirely forgotten today. Widely read in the United States and across the British Empire, the poem’s combination of evangelical Calvinism, High Romanticism, and native Scottishness proved irresistible to many readers. This monograph traces the poem’s origins as a defense of Biblical authority, divine providence, and religious orthodoxy (against figures like Byron and Joseph Priestley) and explores the reasons for The Course of Time’s enormous, decades- long popularity and later precipito...
The Palgrave Handbook of Children's Film and Television
This volume explores film and television for children and youth. While children’s film and television vary in form and content from country to country, their youth audience, ranging from infants to “screenagers”, is the defining feature of the genre and is written into the DNA of the medium itself. This collection offers a contemporary analysis of film and television designed for this important audience, with particular attention to new directions evident in the late twentieth and early twenty-first centuries. With examples drawn from Iran, China, Korea, India, Israel, Eastern Europe, the Philippines, and France, as well as from the United States and the United Kingdom, contributors address a variety of issues ranging from content to production, distribution, marketing, and the use of film, both as object and medium, in education. Through a diverse consideration of media for young infants up to young adults, this volume reveals the newest trends in children’s film and television and its role as both a source of entertainment and pedagogy.
The Seeds of Things
The title of this book translates one of the many ways in which Lucretius names the basic matter from which the world is made in De rerum natura. In Lucretius, and in the strain of thought followed in this study, matter is always in motion, always differing from itself and yet always also made of the same stuff. From the pious Lucy Hutchinson’s all but complete translation of the Roman epic poem to Margaret Cavendish’s repudiation of atomism (but not of its fundamental problematic of sameness and difference), a central concern of this book is how a thoroughgoing materialism can be read alongside other strains in the thought of the early modern period, particularly Christianity. A chapter...
