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Mixed Feelings in France
While multicultural comedies criticise hegemonic whiteness and outdated stances on race relations, they simultaneously perpetuate the colonial aesthetic register by deploying a »republican gaze« – an ironic meta-narrative perspective on ethnic minorities. Ewelina Pepiak analyses how gender and ethnicity are represented in seven contemporary French comedies (2008-2018) including mixed-race couples, focusing on a trope of métissage (biological and cultural mixing) and white femininity. As analyses of ethnic and gender representations remain scarce due to the slow emergence of postcolonial studies in France, this study adds significant insights to the postcolonial debate.
Is It French? Popular Postnational Screen Fiction from France
Zusammenfassung: This book investigates the recently accelerated phenomenon of mainstream French film and serial television's remarkable popularity not only within but - more novelly for European audiovisual narratives - outside the domestic context. Treating changes that have taken place in France's production landscape during the mass rollout of global streaming platforms as revelatory of broader tendencies in media production and circulation in Europe and beyond, the collection explores emergent influential players (Omar Sy, Camille Cottin, Alexandre Aja and Fanny Herrero), companies such as Netflix and Gaumont, and new genres, identities and representations on screen. It thus draws together a body of new research by international experts in French and European media production to analyse popular film and television series from France through a postnational lens with regards to both economic and institutional norms and to culture as a whole
Errgo
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Mixed Feelings in France
Ewelina Pepiak analyses how gender and ethnicity are represented in seven contemporary French comedies.
Violence and Trolling on Social Media
'Trolls for Trump', virtual rape, fake news - social media discourse, including forms of virtual and real violence, has become a formidable, yet elusive, political force. What characterizes online vitriol? How do we understand the narratives generated, and also address their real-world - even life-and-death - impact? How can hatred, bullying, and dehumanization on social media platforms be addressed and countered in a post-truth world? This book unpicks discourses, metaphors, media dynamics, and framing on social media, to begin to answer these questions. Written for and by cultural and media studies scholars, journalists, political philosophers, digital communication professionals, activists and advocates, this book makes the connections between theoretical approaches from cultural and media studies and practical challenges and experiences 'from the field', providing insight into a rough media landscape.
Polish Merchant Navy
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The Politics of Our Selves
Some theorists understand the self as constituted by power relations, while others insist upon the self's autonomous capacities for critical reflection and deliberate self-transformation. All too often, these understandings of the self are assumed to be incompatible. Amy Allen, however, argues that the capacity for autonomy is rooted in the very power relations that constitute the self. Her theoretical framework illuminates both aspects of what she calls, following Foucault, the "politics of our selves." It analyzes power in all its depth and complexity, including the complicated phenomenon of subjection, without giving up on the ideal of autonomy. Drawing on original and critical readings of a diverse group of theorists, Allen shows how the self can be both constituted by power and capable of an autonomous self-constitution.
